This article develops a methodological framework for undertaking empirical studies of practices and flows, of doings and circulations, of digital tourist photography. The article outlines what might be termed a non‐representational approach to photography concerned with affordances, actor‐networks, hybridized practices and networked flows of photographs. The article falls in three parts. It begins with rethinking photography theory. Traditional dualisms between affordance and practice are challenged, and photography is conceptualized as a hybridized, embodied performance. How digital photography changes photography's traditional affordances is then discussed. The third part discusses various methods to describe how affordances of digital tourist photography are used, twisted and resisted in concrete hybridized practices. I suggest undertaking multi‐sided ethnographies with ‘busy photographers’ to craft non‐representational accounts of mobile practices of photographing and flows of photographic images across various sites and actor‐networks. In a broader sense, this article is a methodological contribution to ‘the new mobilities paradigm’.
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