Stage settings for a connected scene. Globalization and material-culture studies in the early first-millennium B.C.E. Mediterranean

Abstract

Miguel John Versluys has produced a stimulating and thought-provoking agenda to reinvigorate study of the Roman world, with its myriad social, political and economic connections between Rome and the diverse cultures and communities that fell within and beyond the boundaries of its empire. He teases out the explicitly anti-colonial nature in recent decades of specifically Anglo-Saxon discussions of Rome and its empire in response to Romanization. He also sets these particular understandings of what it meant to live within that empire in a comparative context with other scholarly traditions that engage with Roman studies. He advocates both globalization theories and material-culture perspectives to reconsider aspects addressed by Romanization as a means of pushing the discussion beyond Romans and Natives, where ultimately it still lingers in the guise of much more recent perspectives, which emphasize imperialism. The critical evaluation of Romanization of the 1990s in the Anglo-Saxon tradition was not a unique process for Anglo-Saxon scholarship engaged in study of colonizing cultures, however. Parallels can be seen in contemporary Anglo-Saxon scholarship of the Greek world as well. Does this mean that the potential Versluys sees for Roman studies in the marriage of globalization and material-culture approaches can apply to Greek studies too?

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 17 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.