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To Understand Verdi and Wagner We Must Understand Mozart
13 references·7 citing·32 second hop
To Understand Verdi and Wagner We Must Understand Mozart (1987)To Understand Verdi and Wagner We Must Un…"La solita forma" and "The Uses of Convention" (1987)"La solita forma" and "The Us…Beethoven's Ninth Symphony: A Search for Order (1986)Beethoven's Ninth Symphony: A…Aspects of Schenkerian Theory (1985)Aspects of Schenkerian TheoryThose Images That Yet Fresh Images Beget (1983)Those Images That Yet Fresh I…A Multidimensional Assessment of Stressful Life Events among Adolescents: Derivation and Correlates (1981)A Multidimensional Assessment…The Living Work: Organicism and Musical Analysis (1980)The Living Work: Organicism a…How We Got into Analysis, and How to Get out (1980)How We Got into Analysis, and…The Classical Style (1977)The Classical StyleThe New Grove (1975)The New GroveMusical Form and Musical Performance (1971)Musical Form and Musical Perf…Musical Form and Musical Performance (1969)Musical Form and Musical Perf…Perspectives of New Music (1963)Perspectives of New MusicOpera as drama (1956)Opera as dramaThe Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera (2011)The Italian Traditions and Pu…Il trittico, Turandot, and Puccini's late style (2011)Il trittico, Turandot, and Pu…Recognition in Mozart's Operas (2006)Recognition in Mozart's OperasRameau reading Lully: Meaning and system in Rameau's recitative tradition (1994)Rameau reading Lully: Meaning…The buffa aria in Mozart's Vienna (1990)The buffa aria in Mozart's Vi…Dismembering Mozart (1990)Dismembering MozartCrossed Stars and Crossed Tonal Areas in Puccini's Madama Butterfly" (1990)Crossed Stars and Crossed Ton…The Thematic Process in Music (1951)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)Metaphor and music (2008)Atonal prolongational structure (1989)The Cambridge History of American Music (1998)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Analyzing Popular Music (2003)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)Musical Performance as Interpretation (1995)Fantasy Pieces (1999)From Policy “Frames” to “Framing” (2014)Heinrich Schenker as an Interpreter of Beethoven's Piano Sonatas (1984)Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500 (1992)Theory, Text-Setting, and Performance (1993)The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal (1993)Wagner's Ring Cycle and the Greeks (2010)When Opera Meets Film (2010)Schumann's "Im Legendenton" and Friedrich Schlegel's "Arabeske" (1987)Politics, Feminism, and Contemporary Music Theory (1991)Timing and Music (2002)A longitudinal study of stress buffering for adolescent problem behaviors. (1992)Developmental trajectories of adolescents' depressive symptoms: Predictors of change. (2002)Comparing the Impact of Bullying and Sexual Harassment Victimization on the Mental and Physical Health of Adolescents (2008)Genre and content in mid-century Verdi: ‘Addio, del passato’ (La traviata, Act III) (1989)Verismo: Origin, Corruption, and Redemption of an Operatic Term (2007)Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera (2008)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)
this work references cited by second hop

References

  • 1963Perspectives of New Music381 cited
  • 1981A Multidimensional Assessment of Stressful Life Events among Adolescents: Derivation and Correlates359 cited
  • 1969Musical Form and Musical Performance314 cited
  • 1980How We Got into Analysis, and How to Get out257 cited
  • 1971Musical Form and Musical Performance174 cited
  • 1977The Classical Style147 cited
  • 1980The Living Work: Organicism and Musical Analysis132 cited
  • 1956Opera as drama113 cited
  • 1987"La solita forma" and "The Uses of Convention"87 cited
  • 1985Aspects of Schenkerian Theory48 cited
  • 1983Those Images That Yet Fresh Images Beget41 cited
  • 1975The New Grove38 cited
  • 1986Beethoven's Ninth Symphony: A Search for Order33 cited

Cited by

  • 2011The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera18 cited
  • 1990The buffa aria in Mozart's Vienna17 cited
  • 1990Dismembering Mozart15 cited
  • 2006

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Recognition in Mozart's Operas
12 cited
  • 1994Rameau reading Lully: Meaning and system in Rameau's recitative tradition12 cited
  • 2011Il trittico, Turandot, and Puccini's late style11 cited
  • 1990Crossed Stars and Crossed Tonal Areas in Puccini's Madama Butterfly"3 cited