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The Politics of Performance: Transnationalism and its Limits in Former Yugoslav Popular Music, 1999–2004
16 references·10 citing·34 second hop
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References

  • 1985THE SYMBOLIC CONSTRUCTION OF COMMUNITY2,432 cited
  • 1999The study of transnationalism: pitfalls and promise of an emergent research field2,280 cited
  • 1997Transnational Connections: Culture, People, Places.2,273 cited
  • 2013– The Symbolic Construction of Community1,837 cited
  • 1999Conceiving and researching transnationalism1,770 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1996Media Culture: Cultural Studies, Identity and Politics between the Modern and the Postmodern1,164 cited
  • 1996Performing Rites1,123 cited
  • 2000Transnationalization in international migration: implications for the study of citizenship and culture1,027 cited
  • 2001Transnationalism and identity977 cited
  • 2002National Identity, Popular Culture and Everyday Life900 cited
  • 2003Media Culture828 cited
  • 2020National Identity, Popular Culture and Everyday Life780 cited
  • 1952SOCIAL IDENTITY671 cited
  • 1997Ulf Hannerz. Transnational connections. Culture, people, places. Routledge, London, 1996492 cited
  • 1992Orientalist Variations on the Theme "Balkans": Symbolic Geography in Recent Yugoslav Cultural Politics

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341 cited

Cited by

  • 2010The Paradox of Ceca and the Turbo-Folk Audience16 cited
  • 2019Together divided–divided together: Intersections of symbolic boundaries in the context of ex-Yugoslavian immigrant communities in Vienna12 cited
  • 2008When Seve Met Bregović: Folklore, Turbofolk and the Boundaries of Croatian Musical Identity11 cited
  • 2018Yugonostalgia as a Kind of Love: Politics of Emotional Reconciliations through Yugoslav Popular Music11 cited
  • 2015The Songs We Love to Sing and the History We Like to Remember: Tereza Kesovija’s Comeback in Serbia7 cited
  • 2017Yugonostalgia in the market: Popular music and consumerism in post-Yugoslav space5 cited
  • 2010Popular Music and Political Change in Post-Tuđman Croatia: ‘It's All the Same, Only He's Not Here’?5 cited
  • 2012Turbo-folk and ethnicity in the mirror of the perception of the youtube users2 cited
  • 2015Popular music and producing collectivities: the challenges of audience research in contemporary musicology2 cited
  • 2022The remembered future: Macedonian pop icon Toše Proeski and musical life after death2 cited