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The twilight of the true gods: Cristoforo Colombo, I Medici and the construction of Italian history
11 references·0 citing·33 second hop
The twilight of the true gods: Cristoforo Colombo, I Medici and the construction of Italian history (1996)The twilight of the true gods: Cristoforo…The Verdi-Boito correspondence (1995)The Verdi-Boito correspondenceMusical Repercussions of 1492: Encounters in Text and Performance (1994)Musical Repercussions of 1492…Opera and verismo: Regressive points of view and the artifice of alienation (1993)Opera and verismo: Regressive…Musical repercussions of 1492: encounters in text and performance (1993)Musical repercussions of 1492…Die Verstädterung der Oper (1992)Die Verstädterung der OperDie Verstädterung der Oper : Paris und das Musiktheater des 19. Jahrhunderts (1992)Die Verstädterung der Oper : …Constructing Nuremberg: Typological and Proleptic Communities in "Die Meistersinger" (1992)Constructing Nuremberg: Typol…Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century (1984)Between Romanticism and Moder…Between Romanticism and Modernism (1980)Between Romanticism and Moder…Richard Wagner's Music Dramas (1979)Richard Wagner's Music DramasLa letteratura italiana (1958)La letteratura italianaStory and Discourse: Narrative Structure in Fiction and Film (1979)Time and narrative (1986)Nineteenth-century music (1989)Rough Music: Tosca and Verismo Reconsidered (2008)Carmenin the Midi Amphitheatres: A ‘Tauro-Comique’ Spectacle (2020)The Return of theHabanera:Carmen’sEarly Reception in Latin America (2020)Die Musik des 20. Jahrhunderts (1961)The Nationalization of the Masses: Political Symbolism and Mass Movements in Germany from the Napoleonic Wars through the Third Reich (1976)‘Too much music’: the media of opera (2012)Opera and modes of theatrical production (2012)The operatic event: opera houses and opera audiences (2012)Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East (1998)Verdi-Bilder (2013)Avoiding silent opera: the ‘grand’ performing right at work in nineteenth century Paris (2021)Skirting the Issue: Machiavelli's Caterina Sforza (2000)The Writing Culture of Ordinary People in Europe, c.1860–1920 (2012)Philosophy of pseudoscience: reconsidering the demarcation problem (2014)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Rethinking Mendelssohn (2020)On Tourism and the Constructions of ‘Paradise Islands’ in Central America and the Caribbean (2010)Native American ways of (music) history (2013)Tourism, cultural heritage and regional identities in the Isle of Spice (2014)Religion and Difference in Verdi's Otello (1997)Opera-Film as Television: Remediation in Tony Britten's Falstaff (2017)Nineteenth-Century Opera and the Scientific Imagination (2019)The Dahlhaus Project and Its Extra-Musicological Sources (1991)The Cambridge History of Twentieth-Century English Literature (2005)Defining the Term 'Absolute Music' Historically (2009)Verdi's Attila: a study in chiaroscuro (2009)The Music of Power: (2014)Edward Elgar, Modernist (2006)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)
this work references cited by second hop

References

  • 1980Between Romanticism and Modernism200 cited
  • 1984Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century106 cited
  • 1979Richard Wagner's Music Dramas98 cited
  • 1992Die Verstädterung der Oper43 cited
  • 1995The Verdi-Boito correspondence43 cited
  • 1958La letteratura italiana41 cited
  • 1993Opera and verismo: Regressive points of view and the artifice of alienation41 cited
  • 1993Musical repercussions of 1492: encounters in text and performance32 cited
  • 1992Constructing Nuremberg: Typological and Proleptic Communities in "Die Meistersinger"23 cited
  • 1992Die Verstädterung der Oper : Paris und das Musiktheater des 19. Jahrhunderts21 cited
  • 1994Musical Repercussions of 1492: Encounters in Text and Performance9 cited

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