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The Tutor-Code of Classical Cinema
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Cited by

  • 2003Looking for the Gaze: Lacanian Film Theory and Its Vicissitudes126 cited
  • 1993Toward a Theory of Point-of-View Editing: Communication, Emotion, and the Movies99 cited
  • 1999Moving Pictures92 cited
  • 2003False intimacy: close-ups and viewer involvement in wildlife films167 cited
  • 2011The Illusion of Continuity: Active Perception and the Classical Editing System62 cited
  • 2011The Illusion of Continuity: Active Perception and the Classical Editing System36 cited
  • 2002The Power of the Passive Self in English Literature, 1640–177036 cited
  • 1991Videophilia: What Happens When You Wait for It on Video23 cited
  • 2004Sex, Class, and Mexico in Alfonso Cuaron's Y tu mama tambien22 cited
  • 2018Postmigrantische Balkanbilder22 cited
  • 2015The Power of the Picture: How Narrative Film Captures Attention and Disrupts Goal Pursuit22 cited
  • 2014What Is Left of the Cinematic Apparatus, or Why We Should Retain (and Return to) It20 cited
  • 2020Taking the Humanities Seriously18 cited
  • 2009The Altering Eye: Contemporary International Cinema18 cited
  • 2021Queere Zeitlichkeiten in dokumentarischen Filmen

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16 cited
  • 2008Suture and the Narration of Subjectivity in Film15 cited