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The Performance of German Motion Pictures, Profits and Subsidies: Some Empirical Evidence
16 references·1 citing·44 second hop
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References

  • 2019American Economic Review10,902 cited
  • 1975MONOPOLISTIC COMPETITION AND OPTIMUM PRODUCT DIVERSITY7,391 cited
  • 1986The theory and practice of econometrics4,342 cited
  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2009The Economics of Superstars1,684 cited
  • 1986The Soft Budget Constraint1,401 cited
  • 1982Economics of Shortage.1,073 cited
  • 1979Resource-Constrained versus Demand-Constrained Systems839 cited
  • 1997Information, Blockbusters and Stars? A Study of the Film Industry568 cited
  • 2007Entertainment industry economics: a guide for financial analysis561 cited
  • 1999Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office?484 cited
  • 2016Stardom and Talent389 cited
  • 1994An empirical study of the determinants of revenues and marketing expenditures in the motion picture industry352 cited
  • 1994Predicting the Performance of Motion Pictures291 cited
  • 1998The motion picture mega-industry209 cited
  • 1991Superstardom in Popular Music: Empirical Evidence

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208 cited

Cited by

  • 2009Commercial success and artistic recognition of motion picture projects68 cited