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New markers to identify the provenance of lapis lazuli: trace elements in pyrite by means of micro-PIXE
6 references·12 citing·32 second hop
New markers to identify the provenance of lapis lazuli: trace elements in pyrite by means of micro-PIXE (2013)New markers to identify the provenance of…Lapis lazuli provenance study by means of micro-PIXE (2011)Lapis lazuli provenance study…Characterization of lapis lazuli and corresponding purified pigments for a provenance study of ultramarine pigments used in works of art (2011)Characterization of lapis laz…Advances in elemental imaging of rocks using the AGLAE external microbeam (2011)Advances in elemental imaging…Multitechnique characterization of lapis lazuli for provenance study (2009)Multitechnique characterizati…Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing (2009)Characterization of Lapis Laz…Mineralogical characterization of the blue pigment of Michelangelo's fresco "The Last Judgment" (2006)Mineralogical characterizatio…The blue road: Provenance study of azurite samples from historical locations through the analysis of minor and trace elements (2023)The blue road: Provenance stu…Micro-PIXE and micro-IBIL characterization of lapis lazuli samples from Myanmar mines and implications for provenance study (2023)Micro-PIXE and micro-IBIL cha…The Role of PIXE and XRF in Heritage Science: The INFN-CHNet LABEC Experience (2022)The Role of PIXE and XRF in H…Application of statistical analyses for lapis lazuli stone provenance determination by XRL and XRF (2020)Application of statistical an…Improvements to the analytical protocol of lapis lazuli provenance: First study on Myanmar rock samples (2019)Improvements to the analytica…Towards a portable X-ray luminescence instrument for applications in the Cultural Heritage field⋆ (2018)Towards a portable X-ray lumi…Protocol for lapis lazuli provenance determination: evidence for an Afghan origin of the stones used for ancient carved artefacts kept at the Egyptian Museum of Florence (Italy) (2016)Protocol for lapis lazuli pro…µ-XRF Analysis of Trace Elements in Lapis Lazuli-Forming Minerals for a Provenance Study (2015)µ-XRF Analysis of Trace Eleme…Sulfur K-edge XANES of lazurite: Toward determining the provenance of lapis lazuli (2015)Sulfur K-edge XANES of lazuri…Ion Beam Analysis for the provenance attribution of lapis lazuli used in glyptic art: The case of the “Collezione Medicea” (2015)Ion Beam Analysis for the pro…Study of a tabernacle with a remarkable architectural structure: In situ examination using Raman spectroscopy (2013)Study of a tabernacle with a …Characterization of the lapis lazuli from the Egyptian treasure of Tôd and its alteration using external μ-PIXE and μ-IBIL (2013)Characterization of the lapis…Lapis Lazuli: The Early Phases of Its Trade (1968)The presence of trapped carbon dioxide in lapis lazuli and its potential use in geo-sourcing natural ultramarine pigment (2009)New insights on blue pigments used in 15th century paintings by synchrotron radiation-based micro-FTIR and XRD (2014)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment Compendium: A Dictionary of Historical Pigments (2007)The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus (2011)Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review (2013)Ion beam analysis of art works: 14 years of use in the Louvre (2004)A new mapping acquisition and processing system for simultaneous PIXE-RBS analysis with external beam (2010)The Guelph PIXE software package IV (2010)Detectors and Cultural Heritage: The INFN-CHNet Experience (2021)Infrared Spectroscopy in Conservation Science (2000)Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis (2013)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Glass corrosion mechanisms: A multiscale analysis (2008)The use of waterborne paints in contemporary murals: Comparing the stability of vinyl, acrylic and styrene-acrylic formulations to outdoor weathering conditions (2014)Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments (2016)South Asian Archaeology. Edited by Norman Hammond. Park Ridge: Noyes Press, 1973. xii, 308 pp. Illustrations, Index. $20.00. (1975)Recent trends in IBA for cultural heritage studies (2014)Elemental imaging of heterogeneous inorganic archaeological samples by means of simultaneous laser induced breakdown spectroscopy and laser ablation inductively coupled plasma mass spectrometry measurements (2017)Trace elements in natural azurite pigments found in illuminated manuscript leaves investigated by synchrotron x-ray fluorescence and diffraction mapping (2017)Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)X-ray fluorescence spectrometry in art and archaeology (2000)Micro XRF (2017)Revealing Artists’ Collaboration in a 14th Century Manuscript by Non-Invasive Analyses (2021)Painting Materials: A Short Encyclopedia (2011)Out of the blue: Vermeer’s use of ultramarine in Girl with a Pearl Earring (2020)Practical advances towards safer analysis of heritage samples and objects (2023)The Golden Peaches of Samarkand (1963)Ancient Egyptian materials and technology (2000)Surface characterization of medieval silver coins minted by the early Piasts: FT‐IR mapping and SEM/EDX studies (2017)
this work references cited by second hop

References

  • 2009Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing90 cited
  • 2011Characterization of lapis lazuli and corresponding purified pigments for a provenance study of ultramarine pigments used in works of art73 cited
  • 2009Multitechnique characterization of lapis lazuli for provenance study65 cited
  • 2011Lapis lazuli provenance study by means of micro-PIXE54 cited
  • 2006Mineralogical characterization of the blue pigment of Michelangelo's fresco "The Last Judgment"46 cited
  • 2011Advances in elemental imaging of rocks using the AGLAE external microbeam44 cited

Cited by

  • 2015Sulfur K-edge XANES of lazurite: Toward determining the provenance of lapis lazuli36 cited
  • 2016Protocol for lapis lazuli provenance determination: evidence for an Afghan origin of the stones used for ancient carved artefacts kept at the Egyptian Museum of Florence (Italy)35 cited
  • 2015Ion Beam Analysis for the provenance attribution of lapis lazuli used in glyptic art: The case of the “Collezione Medicea”34 cited
  • 2015µ-XRF Analysis of Trace Elements in Lapis Lazuli-Forming Minerals for a Provenance Study34 cited
  • 2013Characterization of the lapis lazuli from the Egyptian treasure of Tôd and its alteration using external μ-PIXE and μ-IBIL33 cited
  • 2020Application of statistical analyses for lapis lazuli stone provenance determination by XRL and XRF23 cited

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2022
The Role of PIXE and XRF in Heritage Science: The INFN-CHNet LABEC Experience
17 cited
  • 2019Improvements to the analytical protocol of lapis lazuli provenance: First study on Myanmar rock samples15 cited
  • 2023Micro-PIXE and micro-IBIL characterization of lapis lazuli samples from Myanmar mines and implications for provenance study13 cited
  • 2023The blue road: Provenance study of azurite samples from historical locations through the analysis of minor and trace elements13 cited
  • 2018Towards a portable X-ray luminescence instrument for applications in the Cultural Heritage field⋆12 cited
  • 2013Study of a tabernacle with a remarkable architectural structure: In situ examination using Raman spectroscopy9 cited