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The Heroine's Subjection: Clarissa, Sadomasochism, and Natural Law · Study

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ArticleThe Heroine's Subjection: Clarissa, Sadomasochism, and Natural Law

Laura Hinton1999

Article1999

The Heroine's Subjection: Clarissa, Sadomasochism, and Natural Law

39 citations·0/0 files stored·Eighteenth-Century Studies

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Literature: history, themes, analysis French Literature and Criticism American and British Literature Analysis

Abstract

Eighteenth-Century Studies - Volume 32, Number 3, Spring 1999

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References

1739A Treatise of Human Nature 1975Visual Pleasure and Narrative Cinema 2012Playing and Reality 1777Enquiries Concerning Human Understanding and Concerning the Principles of Morals 1971Problems in general linguistics 1960The Rise of the Novel: Studies in Defoe, Richardson, and Fielding 1961Love and Death in the American Novel 2017Male Subjectivity at the Margins

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2002The Power of the Passive Self in English Literature, 1640–1770 2003Who Can Believe? Sentiment vs. Cynicism in Richardson's Clarissa

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2002The Power of the Passive Self in English Literature, 1640–1770book · 7 shared references 1997Disinterested Selves: Clarissa and the Tactics of Sentimentarticle · 6 shared references 2005Cinematic Symptoms of Masculinity in Transition: Memory, History and Mythology in Contemporary Filmarticle · 4 shared references 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Valuechapter · 4 shared references 2004Foreword: “What Lies Beneath?”chapter · 4 shared references 2004Afterword: Psychoanalysis and the Horror Filmchapter · 4 shared references

Details

Year1999

Typearticle

Published1999-03-01

VenueEighteenth-Century Studies

ISSN-L0013-2586

Languageen

Citations39

Files0 public / 0

ShelfLiterature: history, themes, analysis

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doi10.1353/ecs.1999.0017

openalex_workW2011878735

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