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The Heroine's Subjection: Clarissa, Sadomasochism, and Natural Law
16 references·2 citing·29 second hop
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this work references cited by second hop

References

  • 1739A Treatise of Human Nature9,842 cited
  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2012Playing and Reality6,619 cited
  • 1777Enquiries Concerning Human Understanding and Concerning the Principles of Morals2,288 cited
  • 1971Problems in general linguistics2,151 cited
  • 1960The Rise of the Novel: Studies in Defoe, Richardson, and Fielding988 cited
  • 1961Love and Death in the American Novel626 cited
  • 2017Male Subjectivity at the Margins603 cited
  • 1950Clarissa: Or the History of a young Lady531 cited
  • 1984The Subject of Semiotics527 cited
  • 1995Early Modern Conceptions of Property.254 cited
  • 1964Selected letters of Samuel Richardson245 cited
  • 1989On law, morality, and politics220 cited
  • 1978Movies and Methods159 cited
  • 1990Discourses of Desire: Gender, Genre, and Epistolary Fictions127 cited
  • 1990Writing the Female Voice: Essays on Epistolary Literature119 cited

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  • 2002

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The Power of the Passive Self in English Literature, 1640–1770
36 cited
  • 2003Who Can Believe? Sentiment vs. Cynicism in Richardson's Clarissa21 cited