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Performing the Goddess, Sacred Ritual into Professional Performance
2 references·2 citing·10 second hop
Performing the Goddess, Sacred Ritual into Professional Performance (2001)Performing the Goddess, Sacred Ritual int…The Future of Ritual (2003)The Future of RitualCult of Goddess Sitala in Bengal: An enquiry into folk culture (1994)Cult of Goddess Sitala in Ben…Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance (2019)Impersonations: The Artifice …Autenticidad étnica, emociones de exaltación y movimiento turístico: significados de la presentación de danza en la Entrada de la Virgen de Urkupiña en Quillacollo, Bolivia (2006)Autenticidad étnica, emocione…Who is a Tourist?: A Conceptual Clarification (1974)Tourists as Pilgrims: Commercial Fashioning of Transatlantic Politics (1999)The Maasai and the Lion King: Authenticity, Nationalism, and Globalization in African Tourism (2001)How To Do Things With Words (1975)Outline of a Theory of Practice (1977)The Dialogic Imagination: Four Essays (1981)Receiving shadows: governance and liminality in the night‐time economy 1 (2000)Performing tourism, staging tourism (2001)What’s so ‘Dark’ about ‘Dark Tourism’?: Death, Tours, and Performance (2009)Dance of the Deodhas (2019)
this work references cited by second hop

References

  • 2003The Future of Ritual373 cited
  • 1994Cult of Goddess Sitala in Bengal: An enquiry into folk culture6 cited

Cited by

  • 2019Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance7 cited
  • 2006Autenticidad étnica, emociones de exaltación y movimiento turístico: significados de la presentación de danza en la Entrada de la Virgen de Urkupiña en Quillacollo, Bolivia2 cited

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