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‘Kick, Bollocks and Scramble’: An Examination of Power and Creative Decision-Making in the Production Process During the Golden Era of British Music Videos 1995–2001
12 references·3 citing·31 second hop
‘Kick, Bollocks and Scramble’: An Examination of Power and Creative Decision-Making in the Production Process During the Golden Era of British Music Videos 1995–2001 (2012)‘Kick, Bollocks and Scramble’: An Examina…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Auteurs and authorship: a film reader (2008)Auteurs and authorship: a fil…Medium Cool (2007)Medium CoolFaking it: the quest for authenticity in popular music (2007)Faking it: the quest for auth…Money for Nothing: A History of the Music Video from the Beatles to the White Stripes (2006)Money for Nothing: A History …Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations (2006)Gaffers, Gofers, and Grips: R…Experiencing music video: aesthetics and cultural context (2004)Experiencing music video: aes…Thirty Frames Per Second: The Visionary Art of the Music Video (2000)Thirty Frames Per Second: The…You Stand There: Making Music Video (1997)You Stand There: Making Music…Monopoly television: MTV's quest to control the music (1996)Monopoly television: MTV's qu…Sound and vision: the music video reader (1994)Sound and vision: the music v…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…The Pioneers Get Shot: Music Video, Independent Production and Cultural Hierarchy in Britain (2019)The Pioneers Get Shot: Music …Not Another Article on the Author! God and Auteurs in Moving Image Analysis (2015)Not Another Article on the Au…The Fine Art of Commercial Freedom: British Music Videos and Film Culture (2014)The Fine Art of Commercial Fr…The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Basics of Qualitative Research: Grounded Theory Procedures and Techniques. (1992)Dynamic Delegation: Shared, Hierarchical, and Deindividualized Leadership in Extreme Action Teams (2006)High‐quality relationships, psychological safety, and learning from failures in work organizations (2008)A Relational Model of How High-Performance Work Systems Work (2009)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)“Where My Girls At?” (2002)“Check On It” (2011)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)Race and the Yugoslav region (2018)Underexposed: The neglected art of the cinematographer (2012)Film remakes, the black sheep of translation (2014)Animation, Branding and Authorship in the Construction of the ‘Anti-Disney’ Ethos: Hayao Miyazaki’s Works and Persona through Disney Film Criticism (2016)When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution (2003)Studying the political economy of media and information (2005)Entertainment Industry Economics (2020)Interview with Music Video Director and Auteur Floria Sigismondi (2013)Music Video Transformed (2013)Janelle Monáe'sDirty ComputerMusic Video/Film: A Collective Reading (2019)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)The Concept of Authenticity: What It Means to Consumers (2021)‘The First Cut is the Deepest’ (2017)The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration (2019)
this work references cited by second hop

References

  • 2006Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations917 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1994Sound and vision: the music video reader298 cited
  • 2004Experiencing music video: aesthetics and cultural context281 cited
  • 2007Faking it: the quest for authenticity in popular music182 cited
  • 1996Monopoly television: MTV's quest to control the music100 cited
  • 2008Auteurs and authorship: a film reader71 cited
  • 2006Money for Nothing: A History of the Music Video from the Beatles to the White Stripes50 cited
  • 2007Medium Cool39 cited
  • 2000Thirty Frames Per Second: The Visionary Art of the Music Video24 cited
  • 1997You Stand There: Making Music Video18 cited

Cited by

  • 2019The Pioneers Get Shot: Music Video, Independent Production and Cultural Hierarchy in Britain9 cited
  • 2014The Fine Art of Commercial Freedom: British Music Videos and Film Culture7 cited
  • 2015Not Another Article on the Author! God and Auteurs in Moving Image Analysis3 cited

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