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The Fine Art of Commercial Freedom: British Music Videos and Film Culture · Study

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ArticleThe Fine Art of Commercial Freedom: British Music Videos and Film Culture

Emily Caston2014

OA

Articlegreen2014

The Fine Art of Commercial Freedom: British Music Videos and Film Culture

7 citations·0/0 files stored·UWL Repository (University of West London)

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Cinema History and Criticism Music History and Culture Cinema and Media Studies

Abstract

An outline and analysis of the British music video industry and its impact on film culture in the 1990s and 2000s.

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References

2009Production Studies 1992Producing Pop: Culture and Conflict in the Popular Music Industry 2008Production Culture: Industrial Reflexivity and Critical Practice in Film and Television 1987Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture 2007Faking it: the quest for authenticity in popular music 2004Creativity, Communication and Cultural Value 2004Experiencing Music Video: Aesthetics and Cultural Context 2005The Spectre of Sound: Music in Film and Television

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2015Not Another Article on the Author! God and Auteurs in Moving Image Analysis

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2015Not Another Article on the Author! God and Auteurs in Moving Image Analysisarticle · 9 shared references 2016Populäre Musikkulturen im Filmbook · 6 shared references 2016The Category of Music Filmchapter · 5 shared references 2014The Interplay of Authority, Masculinity, and Signification in the "Grunge Killed Glam Metal" Narrativethesis · 5 shared references 2019The Music Video in Transformation: Notes on a Hybrid Audiovisual Configurationarticle · 4 shared references 2012‘Kick, Bollocks and Scramble’: An Examination of Power and Creative Decision-Making in the Production Process During the Golden Era of British Music Videos 1995–2001article · 4 shared references

Details

Year2014

Typearticle

Published2014-02-01

VenueUWL Repository (University of West London)

Languageen

Citations7

Files0 public / 0

ShelfCinema History and Criticism

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openalex_workW2154739152

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