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Maximal Tensions and Minimal Conditions: Tynianov as Genre Theorist
16 references·2 citing·29 second hop
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References

  • 1968Russian Formalist Criticism: Four Essays811 cited
  • 1991Modern Criticism and Theory: A Reader487 cited
  • 1973The Prison-House of Language: A Critical Account of Structuralism and Russian Formalism347 cited
  • 1987The Formal Method in Literary Scholarship: A Critical Introduction to Sociological Poetics334 cited
  • 1973Readings in Russian Poetics: Formalist and Structuralist Views244 cited
  • 1979Formalism and Marxism243 cited
  • 1956Russian Formalism: History-Doctrine229 cited
  • 1993Parody: Ancient, Modern, and Post-Modern220 cited
  • 1990Theory of prose184 cited
  • 1971Readings in Russian poetics159 cited
  • 2014Modern Genre Theory144 cited
  • 1988Marxism and Literary History90 cited
  • 1989Literary Structure, Evolution, and Value79 cited
  • 1986Russian Formalism: A Metapoetics72 cited
  • 1981The Problem of Verse Language53 cited
  • 2003The Ode as an Oratorical Genre30 cited

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  • 2014

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Late Exercises in Minimal Affirmatives
30 cited
  • 2017Áttekintés a műfajkutatás tendenciáiról és lehetőségeiről. Útban egy kognitív szemléletű műfajelmélet felé27 cited