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The Advent of Performing Rights in Europe
8 references·2 citing·33 second hop
The Advent of Performing Rights in Europe (2013)The Advent of Performing Rights in EuropePrimary Sources on Copyright (1450-1900) (2008)Primary Sources on Copyright …Quarter Notes and Banknotes. The Economics of Music Composition in the Eighteenth and Nineteenth Centuries (2005)Quarter Notes and Banknotes. …Quarter notes and bank notes: the economics of music composition in the eighteenth and nineteenth centuries (2004)Quarter notes and bank notes:…Musik hat ihren Wert : 100 Jahre musikalische Verwertungsgesellschaft in Deutschland (2003)Musik hat ihren Wert : 100 Ja…On the economics of musical composition in Mozart's Vienna (1994)On the economics of musical c…Economic Behaviour and Institutions. (1992)Economic Behaviour and Instit…The Composer in the Market Place (1977)The Composer in the Market Pl…Great transformation: The political and economic origins of our time (1944)Great transformation: The pol…Digitalization, Cultural Production, Exchange, and Consumption (2024)Digitalization, Cultural Prod…Grand rights and opera reuse today (2022)Grand rights and opera reuse …Seven Centuries of Building Wages (1955)Seven Centuries of the Prices of Consumables, Compared with Builders' Wage- Rates (1956)The Letters of Mozart and His Family. (1966)FOCJ: Competitive governments for Europe (1996)Technology policy and the regions — the case of the BioRegio contest (2000)Chapter 22 Artistic Labor Markets: Contingent Work, Excess Supply and Occupational Risk Management (2006)Performing Arts, the Economic Dilemma: a Study of Problems Common to Theater, Opera, Music and Dance (1977)An Economic Analysis of Copyright Law (1989)The reading nation in the Romantic period (2005)The Nature of the Firm (1937)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)Designing and Conducting Mixed Methods Research (2007)Exploring the Intersection of Art, Culture, and Contemporary Scientific Discourse (2025)Culture in Action: Symbols and Strategies (1986)Does Culture Affect Economic Outcomes? (2006)Envisioning real utopias (2011)Is Accounting an Academic Discipline? (2007)Rethinking the public/virtual sphere: The problem with participation (2010)Intellectual Property Strategy and the Long Tail: Evidence from the Recorded Music Industry (2016)Urban social space and the development of public dance hall culture in Vienna, 1780–1814 (2013)Creativity Over Time and Space (2017)Musicians as entrepreneurs or entrepreneurs as musicians? (2018)The Economics of Tourism (1997)THE BENEFITS OF ECONOMIC FREEDOM: A SURVEY (2003)A review of landholder motivations and determinants for participation in conservation covenanting programmes (2006)Copyright and the music business (1988)Why has cultural economics ignored copyright? (2008)Economics of music publishing: copyright and the market (2016)Cosmopolitan Copyright : Law and Language in the Translation Zone (2011)Why Do We Quote? The Culture and History of Quotation (2011)Copyright and Intellectual Property: The State of the Discipline (2013)Popular Music in Germany, 1900–1930: A Case of Americanisation? Uncovering a European Trajectory of Music Production into the Twentieth Century (2013)Strauss und der Ständige Rat für die internationale Zusammenarbeit der Komponisten (2014)
this work references cited by second hop

References

  • 1944Great transformation: The political and economic origins of our time6,687 cited
  • 1992Economic Behaviour and Institutions.337 cited
  • 1994On the economics of musical composition in Mozart's Vienna104 cited
  • 2004Quarter notes and bank notes: the economics of music composition in the eighteenth and nineteenth centuries55 cited
  • 2008Primary Sources on Copyright (1450-1900)55 cited
  • 1977The Composer in the Market Place39 cited
  • 2005Quarter Notes and Banknotes. The Economics of Music Composition in the Eighteenth and Nineteenth Centuries25 cited
  • 2003Musik hat ihren Wert : 100 Jahre musikalische Verwertungsgesellschaft in Deutschland13 cited

Cited by

  • 2022Grand rights and opera reuse today8 cited
  • 2024Digitalization, Cultural Production, Exchange, and Consumption4 cited

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