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Minimalism, subjectivity, and aesthetics: rethinking the anti-aesthetic tradition in late-modern art
14 references·1 citing·28 second hop
Minimalism, subjectivity, and aesthetics: rethinking the anti-aesthetic tradition in late-modern art (2006)Minimalism, subjectivity, and aesthetics:…Theories and documents of contemporary art: a sourcebook of artists' writings (2013)Theories and documents of con…Minimalism. Art and Polemics in the Sixties (2004)Minimalism. Art and Polemics …Minimalism and Biography (2000)Minimalism and BiographyArt and Objecthood: Essays and Reviews (1998)Art and Objecthood: Essays an…A Leftist Plea for "Eurocentrism" (1998)A Leftist Plea for "Eurocentr…Thinking Art: Beyond Traditional Aesthetics (1994)Thinking Art: Beyond Traditio…Critique of Judgment (1994)Critique of JudgmentCONTINUOUS PROJECT ALTERED DAILY (1994)CONTINUOUS PROJECT ALTERED DA…Conceptual Art and the Reception of Duchamp (1994)Conceptual Art and the Recept…A dictionary of Kleinian thought (1989)A dictionary of Kleinian thou…Passages in Modern Sculpture (1978)Passages in Modern SculptureTruth and Method (1977)Truth and MethodExpression and Communication in Art (1971)Expression and Communication …Minimal Art : A Critical Anthology (1968)Minimal Art : A Critical Anth…Ananse Ntentan and the Code of Minimalism: Scrutinizing Sculptural Thread Art Through Spider Web-Inspired Artworks (2025)Ananse Ntentan and the Code o…Rhetoric and the Public Sphere (2009)New Materialism: Interviews & Cartographies (2012)What makes a destination beautiful? Dimensions of tourist aesthetic judgment (2014)Death at Work: A Case Study on Constitutive Blanks in Nineteenth-Century Painting (1985)Methods and models in pictorial semiotics (1988)The Cambridge History of Modernism (2017)Age and the Quality of Work: The Case of Modern American Painters (2000)What is generative art? (2009)The Unbearable Lightness of Being1 (2010)‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)Musical Witness and Holocaust Representation (2015)Generative Art Theory (2016)Eliciting Narrative Through the In-Depth Interview (1997)Evil and Human Agency (2005)International Dictionary of Psychoanalysis (2006)Uma genealogia para a palestra-performance (2017)The Many Faces of Cosmo-polis: Border Thinking and Critical Cosmopolitanism (2000)A topologia do Ser e a geopolítica do conhecimento. Modernidade, império e colonialidade (2008)The “migrant crisis” as racial crisis: do Black Lives Matter in Europe? (2017)Playing to the Senses: Food as a Performance Medium (1999)Theatricality: The Specificity of Theatrical Language (2002)Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre (2013)Perspective Making and Perspective Taking in Communities of Knowing (1995)A Set of Principles for Conducting and Evaluating Interpretive Field Studies in Information Systems1 (1999)Qualitative Research Designs (2007)Mapping Intermediality in Performance (2011)Exhibiting Cinema in Contemporary Art (2013)The Work of Art in the Age of Deindustrialization (2017)
this work references cited by second hop

References

  • 1977Truth and Method2,150 cited
  • 1994Critique of Judgment1,599 cited
  • 1989A dictionary of Kleinian thought532 cited
  • 1978Passages in Modern Sculpture283 cited
  • 2013Theories and documents of contemporary art: a sourcebook of artists' writings271 cited
  • 1998A Leftist Plea for "Eurocentrism"219 cited
  • 1968Minimal Art : A Critical Anthology210 cited
  • 1998Art and Objecthood: Essays and Reviews176 cited
  • 2004Minimalism. Art and Polemics in the Sixties115 cited
  • 1994CONTINUOUS PROJECT ALTERED DAILY73 cited
  • 1994Thinking Art: Beyond Traditional Aesthetics57 cited
  • 2000Minimalism and Biography51 cited
  • 1971Expression and Communication in Art29 cited
  • 1994Conceptual Art and the Reception of Duchamp20 cited

Cited by

  • 2025Ananse Ntentan and the Code of Minimalism: Scrutinizing Sculptural Thread Art Through Spider Web-Inspired Artworks1 cited

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