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Identity and Genre inGamelan Gong Kebyar:An Analytical Study ofGabor
8 references·4 citing·46 second hop
Identity and Genre inGamelan Gong Kebyar:An Analytical Study ofGabor (2012)Identity and Genre inGamelan Gong Kebyar:…Different Temporalities: The Time of Balinese Gamelan (2008)Different Temporalities: The …Scales, Sets, and Interval Cycles: A Taxonomy (1999)Scales, Sets, and Interval Cy…The Ontology of Musical Works and the Authenticity of their Performances (1991)The Ontology of Musical Works…A Concept of Time in a Music of Southeast Asia (A Preliminary Account) (1986)A Concept of Time in a Music …Tempo Relations: A Cross-Cultural Study (1985)Tempo Relations: A Cross-Cult…Metric and Rhythmic Articulation in Music (1985)Metric and Rhythmic Articulat…‘Flow Like a Waterfall’: The Metaphors of Kaluli Musical Theory (1981)‘Flow Like a Waterfall’: The …The phenomenon of inherent rhythms in East and Central African instrumental music (1962)The phenomenon of inherent rh…George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux (2022)George Balanchine’s Art of Ch…Normalizing Musical Contour Theory (2016)Normalizing Musical Contour T…Attending to Free Rhythm (2016)Attending to Free RhythmThe harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)The harmonic implications of …College Music Symposium (1962)Five Graphic Music Analyses (1969)Tonal Function and Metrical Accent: A Historical Perspective (1983)Large-Scale Rhythm and Classical Form (1990)Marking Mensural Time (2000)The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)Maximally Even Sets (1991)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Exploring Musical Space (2006)Coherence and sameness in well-formed and pairwise well-formed scales (2007)Musical intervals and special linear transformations (2007)What a Musical Work Is (1980)Early Music Defended against its Devotees: A Theory of Historical Performance in the Twentieth Century (1983)The Work of Music and the Problem of Its Identity (1986)Performing Works of Music Authentically (2012)Being True to Works of Music (2020)Choreography Invisible (2020)Music in Primitive Culture (1956)Music and Language (1994)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)Metaphors We Live By (2003)Vocal Anthropology (2005)On the Moods of a Music-Logic (1960)The Traditional Music of Thailand (1976)Les mots et les choses (1990)Music, Metaphor, and Misunderstanding (1994)Teaching gamelan in Australia: Some perspectives on cross-cultural music education (1997)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)Generalized Musical Intervals and Transformations (1988)The study of ethnomusicology: thirty-one issues and concepts (2006)An Extension of the Minimally Divergent Contour Network: Considering Nonconsecutive Repeated Contour Pitches (2019)Ruth Crawford’s String Quartet, Mvt. 3: An Analysis of Dynamic Counterpoint, Contour Similarity, and Musical Form (2020)The time of music: new meanings, new temporalities, new listening strategies (1989)The Development of Cognitive Anthropology (1995)The Development of Cognitive Anthropology. (1997)Prosodic Structure as a Parallel to Musical Structure (2015)Into the mystic: lived experiences of world music pedagogy programmes (2018)Advances in Psychology Research (2001)Sensorimotor synchronization: A review of the tapping literature (2005)Being Together in Time: Musical Experience and the Mirror Neuron System (2009)Metric Manipulations in Post-Tonal Music (2020)Music in Profile (2023)Translating musical meaning (2023)Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain (2005)Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora (2010)Rethinking Reich (2019)
this work references cited by second hop

References

  • 1981‘Flow Like a Waterfall’: The Metaphors of Kaluli Musical Theory136 cited
  • 1962The phenomenon of inherent rhythms in East and Central African instrumental music70 cited
  • 1985Tempo Relations: A Cross-Cultural Study57 cited
  • 1999Scales, Sets, and Interval Cycles: A Taxonomy55 cited
  • 1991The Ontology of Musical Works and the Authenticity of their Performances49 cited
  • 1985Metric and Rhythmic Articulation in Music42 cited
  • 1986A Concept of Time in a Music of Southeast Asia (A Preliminary Account)18 cited
  • 2008Different Temporalities: The Time of Balinese Gamelan14 cited

Cited by

  • 2016Normalizing Musical Contour Theory6 cited
  • 2016Attending to Free Rhythm5 cited
  • 2022George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux5 cited
  • 2013The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach4 cited

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