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Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress"
10 references·2 citing·32 second hop
Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress" (1997)Stravinsky's "Special Sense": The Rhetori…Generalized Musical Intervals and Transformations (2007)Generalized Musical Intervals…Stravinsky and the Russian Traditions (1996)Stravinsky and the Russian Tr…Neoclassic and Anachronistic Impulses in Twentieth-Century Music (1996)Neoclassic and Anachronistic …The Problem of Prolongation in Post-Tonal Music (1987)The Problem of Prolongation i…The Light in Troy, Imitation and Discovery in Renaissance Poetry. (1983)The Light in Troy, Imitation …Museum Pieces: The Historicist Mainstream in Music of the Last Hundred Years (1983)Museum Pieces: The Historicis…Igor Stravinsky, The Rake's progress (1982)Igor Stravinsky, The Rake's p…The Structure of Atonal Music (1974)The Structure of Atonal MusicProblems of Pitch Organization in Stravinsky (1963)Problems of Pitch Organizatio…Stravinsky: The Progress of a Method (1962)Stravinsky: The Progress of a…The Music of Pavel Haas (2020)The Music of Pavel HaasA Tonal Revolution in Fifths and Semitones: Aaron Copland’sQuiet City (2011)A Tonal Revolution in Fifths …Towards a New Poetics of Musical Influence (1991)Outside Ravel's Tomb (1999)The Music of Louis Andriessen (2007)Tonality as Topic (2017)The Anxiety of Influence: A Theory of Poetry (1974)Philosophy of Modern Music (1976)Classical Music as Popular Music (1984)Brian Eno: his music and the vertical color of sound (1990)Disability and “Late Style” in Music (2008)Shorter Oxford English dictionary on historical principles (2008)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Debussy, "Jeux": Playing with Time and Form (1982)Those Images That Yet Fresh Images Beget (1983)Meta-Variations, Part IV: Analytic Fallout (II) (1973)Stravinsky and the Octatonic: A Reconsideration (2002)American Stravinsky : The Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 (2012)The Cambridge History of Medieval English Literature (1999)Literature and London (2003)Auguste Comte and Positivism (2019)Scale Networks and Debussy (2004)Extraordinary Measures (2011)Gestural Imaginaries (2019)Chromatic Transformations in Nineteenth-Century Music (2002)Music as Embodied Mathematics: A Study of a Mutually Informing Affinity (2003)Continuous Transformations (2004)The Rake's Progress as Opera Museum (2009)Situating opera: period, genre, reception (2011)Modernism and Opera (2016)Q-analysis, or a language of structure: an introduction for social scientists, geographers and planners (1980)(Ac)cumulative Form in Pop-Rock Music (2004)
this work references cited by second hop

References

  • 1983The Light in Troy, Imitation and Discovery in Renaissance Poetry.599 cited
  • 1996Stravinsky and the Russian Traditions306 cited
  • 1974The Structure of Atonal Music297 cited
  • 1987The Problem of Prolongation in Post-Tonal Music162 cited
  • 2007Generalized Musical Intervals and Transformations159 cited
  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 1962Stravinsky: The Progress of a Method123 cited
  • 1996Neoclassic and Anachronistic Impulses in Twentieth-Century Music107 cited
  • 1983Museum Pieces: The Historicist Mainstream in Music of the Last Hundred Years60 cited
  • 1982Igor Stravinsky, The Rake's progress42 cited

Cited by

  • 2020The Music of Pavel Haas10 cited
  • 2011A Tonal Revolution in Fifths and Semitones: Aaron Copland’sQuiet City5 cited

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