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Embodying the Site: the Here and Now in Site-Specific Dance Performance
7 references·5 citing·37 second hop
Embodying the Site: the Here and Now in Site-Specific Dance Performance (2005)Embodying the Site: the Here and Now in S…Palimpsest or Potential Space? Finding a Vocabulary for Site-Specific Performance (2004)Palimpsest or Potential Space…The Poetics of Space: (2003)The Poetics of Space:Dance and the Performative: A Choreological Perspective - Laban and Beyond (2002)Dance and the Performative: A…The Practice of Everyday Life (2000)The Practice of Everyday LifeSite-Specific Art: Performance, Place and Documentation (2000)Site-Specific Art: Performanc…Topophilia: A Study of Environmental Perception, Attitudes, and Values (1975)Topophilia: A Study of Enviro…Topophilia: A Study of Environmental Perception, Attitudes and Values (1975)Topophilia: A Study of Enviro…Theatre in Market Economies (2021)Theatre in Market EconomiesChoreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital (2021)Choreographic Encounters in X…Developing a Sense of Place: The Role of the Arts in Regenerating Communities (2020)Developing a Sense of Place: …The Choral Architecture of Pindar’s Eighth Paean (2016)The Choral Architecture of Pi…Filling the ‘empty space’: Site-specific dance in a techno club (2016)Filling the ‘empty space’: Si…Archaeology of Knowledge (1970)The Production of Space (1992)Interventionist Art Education: Contingent Communities, Social Dialogue, and Public Collaboration (2010)Island writing, Creole cultures (2012)Playing and Reality (2012)The Cambridge History of Postcolonial Literature (2012)From ritual to theatre : the human seriousness of play (1982)From Ritual to Theatre: The Human Seriousness of Play (1983)Material Culture and Mass Consumption. (1991)Four-to-the-Floor: The Techno Discourse and Aesthetic Work in Berlin (2016)‘In the mix’: Relational leadership explored through an analysis of techno DJs and dancers (2018)Process Studies of Organizational Space (2020)Pindar's Paeans: a Reading of the Fragments with a Survey of the Genre (2001)The Origins of Criticism (2002)Choreographing empathy: kinesthesia in performance (2011)Cosmography and the Idea of Hyperborea in Ancient Greece (2021)The General Theory of Employment, Interest and Money. (1936)5. The Practice of Everyday Life (2000)Capital: A Critique of Political Economy (2020)Understanding Home: A Critical Review of the Literature (2004)For better or worse: Exploring multiple dimensions of place meaning (2005)Finding Common Ground: The Importance of Place Attachment to Community Participation and Planning (2006)Vision, Media, Noise and the Percolation of Time (2006)The Cambridge Introduction to Theatre Studies (2008)Geography and art. An expanding field (2012)Place Attachment (1992)Islands, Island Studies, Island Studies Journal (2006)Place and Placelessness (1976): Edward Relph (2008)Making space for sex work: female street prostitution and the production of urban space (2003)De‐exoticizing Tourist Travel: Everyday Life and Sociality on the Move (2008)Market practices and forms: introduction to the special issue (2008)Street Phenomenology (2003)Why landscapes of the past are important for the future (2003)Ecological grief as a mental health response to climate change-related loss (2018)Problems with Ballet: Steps, style and training (2003)Transatlantic Traffic in Expressive Movement: From Delsarte and Dalcroze to Margaret H'Doubler and Rudolf Laban (2009)Beyond Binarism: Exploring a Model of Living Cultural Heritage for Dance (2016)
this work references cited by second hop

References

  • 2003The Poetics of Space:2,071 cited
  • 1975Topophilia: A Study of Environmental Perception, Attitudes and Values1,828 cited
  • 1975Topophilia: A Study of Environmental Perception, Attitudes, and Values1,345 cited
  • 2000The Practice of Everyday Life1,331 cited
  • 2000Site-Specific Art: Performance, Place and Documentation337 cited
  • 2004Palimpsest or Potential Space? Finding a Vocabulary for Site-Specific Performance69 cited
  • 2002Dance and the Performative: A Choreological Perspective - Laban and Beyond58 cited

Cited by

  • 2016The Choral Architecture of Pindar’s Eighth Paean40 cited
  • 2016Filling the ‘empty space’: Site-specific dance in a techno club19 cited
  • 2021Theatre in Market Economies8 cited
  • 2021Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital6 cited
  • 2020Developing a Sense of Place: The Role of the Arts in Regenerating Communities3 cited

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