SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Multitechnique characterization of lapis lazuli for provenance study
2 references·16 citing·39 second hop
Multitechnique characterization of lapis lazuli for provenance study (2009)Multitechnique characterization of lapis …Infrared Spectroscopy in Conservation Science (2000)Infrared Spectroscopy in Cons…Lapis Lazuli: The Early Phases of Its Trade (1968)Lapis Lazuli: The Early Phase…Detectors and Cultural Heritage: The INFN-CHNet Experience (2021)Detectors and Cultural Herita…Spectroscopic characterization of commercial pigments for pictorial retouching (2020)Spectroscopic characterizatio…Application of statistical analyses for lapis lazuli stone provenance determination by XRL and XRF (2020)Application of statistical an…Elemental imaging of heterogeneous inorganic archaeological samples by means of simultaneous laser induced breakdown spectroscopy and laser ablation inductively coupled plasma mass spectrometry measurements (2017)Elemental imaging of heteroge…Protocol for lapis lazuli provenance determination: evidence for an Afghan origin of the stones used for ancient carved artefacts kept at the Egyptian Museum of Florence (Italy) (2016)Protocol for lapis lazuli pro…µ-XRF Analysis of Trace Elements in Lapis Lazuli-Forming Minerals for a Provenance Study (2015)µ-XRF Analysis of Trace Eleme…Sulfur K-edge XANES of lazurite: Toward determining the provenance of lapis lazuli (2015)Sulfur K-edge XANES of lazuri…Ion Beam Analysis for the provenance attribution of lapis lazuli used in glyptic art: The case of the “Collezione Medicea” (2015)Ion Beam Analysis for the pro…Mineral impurities in azurite pigments: artistic or natural selection? (2014)Mineral impurities in azurite…Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review (2013)Rocks as blue, green and blac…Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis (2013)Non-invasive differentiation …New markers to identify the provenance of lapis lazuli: trace elements in pyrite by means of micro-PIXE (2013)New markers to identify the p…Characterization of the lapis lazuli from the Egyptian treasure of Tôd and its alteration using external μ-PIXE and μ-IBIL (2013)Characterization of the lapis…In-air broad beam ionoluminescence microscopy as a tool for rocks and stone artworks characterisation (2012)In-air broad beam ionolumines…Lapis lazuli provenance study by means of micro-PIXE (2011)Lapis lazuli provenance study…Advances in elemental imaging of rocks using the AGLAE external microbeam (2011)Advances in elemental imaging…A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials (2008)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing (2009)Spectral Imaging and Archival Data in AnalysingMadonna of the RabbitPaintings by Manet and Titian (2018)Spectroscopic methods for the identification and photostability study of red synthetic organic pigments in alkyd and acrylic paints (2018)Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments (2020)Ion beam analysis of art works: 14 years of use in the Louvre (2004)A new mapping acquisition and processing system for simultaneous PIXE-RBS analysis with external beam (2010)The Guelph PIXE software package IV (2010)Characterization of lapis lazuli and corresponding purified pigments for a provenance study of ultramarine pigments used in works of art (2011)South Asian Archaeology. Edited by Norman Hammond. Park Ridge: Noyes Press, 1973. xii, 308 pp. Illustrations, Index. $20.00. (1975)Recent trends in IBA for cultural heritage studies (2014)Trace elements in natural azurite pigments found in illuminated manuscript leaves investigated by synchrotron x-ray fluorescence and diffraction mapping (2017)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment Compendium: A Dictionary of Historical Pigments (2007)Unusual pigments found in a painting by Giotto (c. 1266-1337) reveal diversity of materials used by medieval artists (2016)MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden (2021)Pigments, dyes and inks: their analysis on manuscripts, scrolls and papyri (2021)Turkestan down to the Mongol Invasion (1928)Ancient Egyptian Materials and Industries (1948)The Sumerians: Their History, Culture, and Character (1963)The Balance of Trade in Southwestern Asia in the Mid-Third Millennium B.C. [and Comments and Reply] (1978)On Pins and Needles: Tracing the Evolution of Copper-base Alloying at Tepe Yahya, Iran, via ICP-MS Analysis of Common-place Items (2002)Change and continuity in the long-distance exchange networks between western/central Anatolia, northern Levant and northern Mesopotamia, c.3200–1600 BCE (2017)Science and Civilisation in China (1963)Synchrotron radiation-based multi-analytical approach for studying underglaze color: The microstructure of Chinese Qinghua blue decors (Ming dynasty) (2016)Comparative analysis of wucai Chinese porcelains using mobile and fixed Raman microspectrometers (2017)On-site Raman analysis of 17th and 18th century Limoges enamels: Implications on the European cobalt sources and the technological relationship between Limoges and Chinese enamels (2017)Cross-Sections and Chemical Analysis of Paint Samples (1956)Multispectral and hyperspectral image analysis of elemental and micro-Raman maps of cross-sections from a 16th century painting (2008)Re-examining the chemical evaluation of diagenesis in human bone apatite (2011)Differentiation of clay-based pigments in paintings by means of laser ablation-inductively coupled plasma-mass spectrometry (2019)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)A Novel Non-Destructive Technique for Cultural Heritage: Depth Profiling and Elemental Analysis Underneath the Surface with Negative Muons (2022)The Role of PIXE and XRF in Heritage Science: The INFN-CHNet LABEC Experience (2022)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)
this work references cited by second hop

References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 1968Lapis Lazuli: The Early Phases of Its Trade124 cited

Cited by

  • 2013Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review59 cited
  • 2011Lapis lazuli provenance study by means of micro-PIXE54 cited
  • 2013Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis49 cited
  • 2011Advances in elemental imaging of rocks using the AGLAE external microbeam44 cited
  • 2014Mineral impurities in azurite pigments: artistic or natural selection?43 cited
  • 2021Detectors and Cultural Heritage: The INFN-CHNet Experience40 cited
  • 2017Elemental imaging of heterogeneous inorganic archaeological samples by means of simultaneous laser induced breakdown spectroscopy and laser ablation inductively coupled plasma mass spectrometry measurements39 cited
  • 2013New markers to identify the provenance of lapis lazuli: trace elements in pyrite by means of micro-PIXE37 cited
  • 2015Sulfur K-edge XANES of lazurite: Toward determining the provenance of lapis lazuli36 cited
  • 2016Protocol for lapis lazuli provenance determination: evidence for an Afghan origin of the stones used for ancient carved artefacts kept at the Egyptian Museum of Florence (Italy)35 cited
  • 2015Ion Beam Analysis for the provenance attribution of lapis lazuli used in glyptic art: The case of the “Collezione Medicea”

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

34 cited
  • 2015µ-XRF Analysis of Trace Elements in Lapis Lazuli-Forming Minerals for a Provenance Study34 cited
  • 2013Characterization of the lapis lazuli from the Egyptian treasure of Tôd and its alteration using external μ-PIXE and μ-IBIL33 cited
  • 2020Application of statistical analyses for lapis lazuli stone provenance determination by XRL and XRF23 cited
  • 2012In-air broad beam ionoluminescence microscopy as a tool for rocks and stone artworks characterisation18 cited
  • 2020Spectroscopic characterization of commercial pigments for pictorial retouching18 cited