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Phthalocyanine identification in paintings by reflectance spectroscopy. A laboratory and in situ study

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References

1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
2011Painting Materials: A Short Encyclopedia381 cited
2000Raman spectroscopic database of azo pigments and application to modern art studies218 cited
2005The colour of ochres explained by their composition195 cited
2004Analysis of modern paints182 cited
2002Color science in the examination of museum objects: Nondestructive procedures88 cited
2008The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts86 cited
2012Contribution to the identification of α‐, β‐ and ε‐copper phthalocyanine blue pigments in modern artists' paints by X‐ray powder diffraction, attenuated total reflectance micro‐fourier transform infrared spectroscopy and micro‐Raman spectroscopy68 cited
2011Scientific Examination for the Investigation of Paintings: A Handbook for Conservator-Restorers46 cited
2002Color Science in the Examination of Museum Objects43 cited
2006Analysis of Modern Paints31 cited

Cited by

2018Multianalytical non-invasive characterization of phthalocyanine acrylic paints through spectroscopic and non-linear optical techniques22 cited
2019The evolution of the materials used in the yun technique for the decoration of Burmese objects: lacquer, binding media and pigments

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19 cited

2017In situ non-invasive characterization of pigments and alteration products on the masonry altar of S. Maria ad Undas (Idro, Italy)17 cited

2019Non-invasive identification of synthetic organic pigments in contemporary art paints by visible–excited spectrofluorimetry and visible reflectance spectroscopy17 cited

2019An integrated diagnostic approach to Max Ernst's painting materials in his Attirement of the Bride15 cited