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I Am Not Myself: The Art of African Masquerade
0 references·7 citing·22 second hop
I Am Not Myself: The Art of African Masquerade (1985)I Am Not Myself: The Art of African Masqu…Masks in context: representation, emergence, motility and self (2020)Masks in context: representat…Seeing the unseeing audience: women and West African power association masquerades (2018)Seeing the unseeing audience:…Masking and Money in a Nigerian Metropolis: The Economics of Performance in Calabar (2016)Masking and Money in a Nigeri…Masking Traditions and Their Behavioral Functions in Accounting for Stability and Order: A Critical Exposition of Select Study of West, East and Central African Masks (2015)Masking Traditions and Their …Cannibalization as Popular Tradition in Igbo Masquerade Performance (2010)Cannibalization as Popular Tr…Actor and Character in African Masquerade Performance (1996)Actor and Character in Africa…African Visual Arts from a Social Perspective (1989)African Visual Arts from a So…The Theater and Its Double (1958)Frogs Into Princes (1979)Between Theater and Anthropology (1985)Arts of Africa: 7,000 years of African art (2006)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)Purity and Danger (1966)Essays on the Verbal and Visual Arts (1968)A Theoretical Basis for Non-Western Art History Instruction (1993)Exploding Canons: The Anthropology of Museums (1993)Follow the Money: Economics and African Art (2016)The Invention of Tradition (1986)The Location of Culture (2012)Postcolonialism: A Very Short Introduction (2020)Money Matters: Instability, Values and Social Payments in the Modern History of West African Communities (1996)The Pan-African Nation (2005)Ethnicity, Inc. (2009)Gender Trouble: Feminism and the Subversion of Identity (1991)Reassembling the Social (2005)Bodies That Matter (2011)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Cosmological Deixis and Amerindian Perspectivism (1998)EXCHANGING PERSPECTIVES (2004)
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Cited by

  • 1989African Visual Arts from a Social Perspective28 cited
  • 2018Seeing the unseeing audience: women and West African power association masquerades14 cited
  • 2016Masking and Money in a Nigerian Metropolis: The Economics of Performance in Calabar8 cited
  • 2010Cannibalization as Popular Tradition in Igbo Masquerade Performance6 cited
  • 1996Actor and Character in African Masquerade Performance5 cited
  • 2020Masks in context: representation, emergence, motility and self4 cited
  • 2015Masking Traditions and Their Behavioral Functions in Accounting for Stability and Order: A Critical Exposition of Select Study of West, East and Central African Masks4 cited

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