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‘Phases and stages, circles and cycles’: Willie Nelson and the concept album
16 references·1 citing·26 second hop
‘Phases and stages, circles and cycles’: Willie Nelson and the concept album (2011)‘Phases and stages, circles and cycles’: …The selling sound (2007)The selling soundThe Selling Sound (2007)The Selling SoundProud to Be an OkieCultural Politics, Country Music, and Migration to Southern California (2007)Proud to Be an OkieCultural P…Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…Both Sides Now (2002)Both Sides NowWrong's What I Do Best: Hard Country Music and Contemporary Culture (2001)Wrong's What I Do Best: Hard …Wrong’s What I do Best (2001)Wrong’s What I do BestFrauenliebe und Leben Now and Then (2001)Frauenliebe und Leben Now and…Nashville sound: authenticity, commercialization, and country music (1998)Nashville sound: authenticity…Rocking the Classics (1997)Rocking the ClassicsRocking the classics : English progressive rock and the counterculture (1997)Rocking the classics : Englis…Country music culture: from hard times to heaven (1995)Country music culture: from h…Whose life? The gendered self in Schumann's Frauenliebe songs (1992)Whose life? The gendered self…Music and Text (1992)Music and TextSounds of Social Change: Studies in Popular Culture. (1975)Sounds of Social Change: Stud…The decline of contemporary protest music∗ (1971)The decline of contemporary p…Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings (2013)Narrative, vocal staging and …Epistemic Cultures (1999)Epistemic cultures: how the sciences make knowledge (1999)The Perception of the Environment (2002)Watson's World (2003)Anthropologists only need apply: challenges of applied anthropology (2007)A Study of Key Success Factors of Service Enterprises in China (2014)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)"Breakthrough" as Critique of Form: The Finale of Mahler's First Symphony (1996)Opera in the Novel from Balzac to Proust (2011)Musical Wallpaper? (2012)Music, media and urban mythscapes: a study of the ‘Canterbury Sound’ (2002)(Ac)cumulative Form in Pop-Rock Music (2004)The Evaluation of Popular Music in the United States, Germany and the Netherlands: A Comparison of the Use of High Art and Popular Aesthetic Criteria (2010)Retrospective Cultural Consecration in Popular Music (2005)La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción (2008)Narrative Paradigms, Musical Signifiers, and Form as Function in Country Music (2007)Country Talk (2011)Rebel Manhood (2011)Developing a framework for indicators of authenticity: the place and space of cultural and heritage tourism (2004)Pop goes the rapper: a close reading of Eminem's genderphobia (2005)The Grand Ole Opry and the Urban South (2004)A World without Citizenship: On (the Absence of) Politics and Ideology in Country Music Lyrics, 1960–2000 (2005)Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race (2009)Music of the First Nations: tradition and innovation in Native North America (2009)
this work references cited by second hop

References

  • 2005Capturing sound: how technology has changed music830 cited
  • 2002Both Sides Now153 cited
  • 1998Nashville sound: authenticity, commercialization, and country music142 cited
  • 1992Music and Text120 cited
  • 1997Rocking the classics : English progressive rock and the counterculture105 cited
  • 1997Rocking the Classics104 cited
  • 1995Country music culture: from hard times to heaven92 cited
  • 2001Wrong's What I Do Best: Hard Country Music and Contemporary Culture88 cited
  • 2007The Selling Sound86 cited
  • 2001Wrong’s What I do Best78 cited
  • 1975Sounds of Social Change: Studies in Popular Culture.67 cited
  • 2007Proud to Be an OkieCultural Politics, Country Music, and Migration to Southern California56 cited
  • 1992Whose life? The gendered self in Schumann's Frauenliebe songs39 cited
  • 2007The selling sound37 cited
  • 2001Frauenliebe und Leben Now and Then20 cited
  • 1971The decline of contemporary protest music∗17 cited

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2013
Narrative, vocal staging and masculinity in the ‘Outlaw’ country music of Waylon Jennings
5 cited