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Dance and the Lived Body — A Descriptive Aesthetics by Sondra Horton Fraleigh. Pittsburgh: University of Pittsburgh Press, 1987. xli + 284 pp., illustrations. $29.95.
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  • 2011Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition84 cited
  • 2011The experience of watching dance: phenomenological–neuroscience duets80 cited
  • 1997Balzac’s Queer Cousins and Their Friends51 cited
  • 2020Choreography Invisible48 cited
  • 2008Somatic dance as a means of cultivating ethically embodied subjects47 cited
  • 2008Rethinking diasporicity: embodiment, emotion, and the displaced origin44 cited
  • 2010On emotions and salsa: some thoughts on dancing to rethink consumers41 cited
  • 2022Heritage Dynamics: Understanding and adapting to change in diverse heritage contexts36 cited
  • 2005When the Landscape becomes Flesh: An Investigation into Body Boundaries with Special Reference to Tiwi Dance and Western Classical Ballet27 cited
  • 1998Somatic Processes: Convergence of Theory and Practice.20 cited
  • 2014Usages de la phénoménologie dans les études en danse14 cited
  • 2012K–5 Student Experiences in a Dance Residency: A Case Study13 cited
  • 2013Rudolf Laban and Topological Movement12 cited
  • 2011Spatial Translation and ‘Present-ness’ in Site-Specific Dance Performance7 cited

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  • 2015From a Dualistic Toward a Holistic View of Dance Knowledge: A Phenomenological Analysis of Syllabuses in Upper Secondary Schools in Sweden7 cited
  • 1998Dancing with death: Performativity and “undiscussable” bodies instill/here7 cited