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"It Dread Inna Inglan": Linton Kwesi Johnson, Dread, and Dub Identity
0 references·6 citing·15 second hop
"It Dread Inna Inglan": Linton Kwesi Johnson, Dread, and Dub Identity (1993)"It Dread Inna Inglan": Linton Kwesi John…The Cambridge History of Postcolonial Literature (2012)The Cambridge History of Post…Magical realism (2012)Magical realismIsland writing, Creole cultures (2012)Island writing, Creole cultur…Fanon, Memmi, Glissant and postcolonial writing (2012)Fanon, Memmi, Glissant and po…"Love Music, Hate Racism": The Cultural Politics of the Rock Against Racism Campaigns (2005)"Love Music, Hate Racism": Th…‘Peddlin Noh puerile parchment of Etninicty’: Questioning performance in new black British poetry (2005)‘Peddlin Noh puerile parchmen…Policing the Crisis: Mugging, the State, and Law and Order (1978)Subculture: The Meaning of Style (1995)The rise of the Black Internationale: Anti-imperialist activism and aesthetics in Britain during the 1930s (2009)Music and Anti-Racism: Musicians’ Involvement in Anti-Racist Spaces (2018)The Origins of Totalitarianism (2018)Le lien entre préférences musicales et attitudes politiques au Québec (2021)History of the voice: The development of nation language in Anglophone Caribbean poetry (1984)Mama's Baby, Papa's Maybe: An American Grammar Book (1987)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Location of Culture (2012)Problems of Dostoevsky's Poetics (1984)Speech Genres and Other Late Essays (1986)The Predicament of Culture (1988)
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  • 2005‘Peddlin Noh puerile parchment of Etninicty’: Questioning performance in new black British poetry35 cited
  • 2012Island writing, Creole cultures28 cited
  • 2012The Cambridge History of Postcolonial Literature24 cited
  • 2012Magical realism20 cited
  • 2005"Love Music, Hate Racism": The Cultural Politics of the Rock Against Racism Campaigns18 cited
  • 2012Fanon, Memmi, Glissant and postcolonial writing15 cited

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