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Verdi, Solera, Piave and the libretto for Attila
8 references·0 citing·23 second hop
Verdi, Solera, Piave and the libretto for Attila (2009)Verdi, Solera, Piave and the libretto for…Verdi, the Virgin, and the Censor: The Politics of the Cult of Mary in I Lombardi alla prima crociata and Giovanna d'Arco (2007)Verdi, the Virgin, and the Ce…Verdi's theater: creating drama through music (1999)Verdi's theater: creating dra…Verdi's Middle Period, 1849-1859: Source Studies, Analysis, and Performance Practice (1999)Verdi's Middle Period, 1849-1…Verdi's middle period, 1849-1859: source studies, analysis, and performance practice (1998)Verdi's middle period, 1849-1…Lyric Form in Ottocento Opera (1992)Lyric Form in Ottocento OperaVerdi's Macbeth. A Sourcebook (1988)Verdi's Macbeth. A SourcebookThe Verdi Companion (1988)The Verdi CompanionThe Operas of Verdi: From Oberto to Rigoletto (1974)The Operas of Verdi: From Obe…Alone of All Her Sex: The Myth and the Cult of the Virgin Mary (1979)The Virgin in the Sun: Music and Image for a Prayer Attributed to Sixtus IV (1999)La nazione del Risorgimento : parentela, santità e onore alle origini dell'Italia unita (2000)Attila takes Rome: the reception of Verdi's opera on the eve of revolution (2009)Behind the Police Chief's Closed Doors: The Unofficial Censors of Verdi in Rome (2010)Magical thinking: reason and emotion in some recent literature on Verdi and politics (2012)Motivic and Tonal Interaction in Verdi's "Un ballo in maschera" (1983)Verdi's Reform of the Italian Opera Orchestra (1986)Ban(ned) in the USA: Popular Music and Censorship (1991)‘Those grand heroics acted as a spell’: Aspects of Byron's influence on music in nineteenth‐century Europe (1988)Analytic contexts and mediated influences: The RossinianConvenienzeand Verdi's middle and late duets (1990)Verdi's Luisa, a Semiserious Alpine Virgin (1998)Fauré and the Effable: Theatricality, Reflection, and Semiosis in the mélodies (2015)Situating opera: period, genre, reception (2011)Voices and singers (2012)The Sounds of Paris in Verdi's La traviata (2013)Tonal Structures in Bellini (2012)Opera in contention: social conflict in late nineteenth-century Mexico City (2019)Verdi's Patriarch and Puccini's Matriarch: "Through the Looking-Glass and What Puccini Found There" (1994)Catching Dreams: Editing Film Scores for Publication (2007)From the People to the Masses: Political Developments in Italian Opera from Rossini to Mascagni (2012)Toward a Predictive Theory of Theme Types (2020)Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre (2021)
this work references cited by second hop

References

  • 1998Verdi's middle period, 1849-1859: source studies, analysis, and performance practice49 cited
  • 1992Lyric Form in Ottocento Opera33 cited
  • 1999Verdi's theater: creating drama through music26 cited
  • 2007Verdi, the Virgin, and the Censor: The Politics of the Cult of Mary in I Lombardi alla prima crociata and Giovanna d'Arco24 cited
  • 1988Verdi's Macbeth. A Sourcebook17 cited
  • 1988The Verdi Companion17 cited
  • 1999Verdi's Middle Period, 1849-1859: Source Studies, Analysis, and Performance Practice10 cited
  • 1974The Operas of Verdi: From Oberto to Rigoletto6 cited

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