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John Knox Bokwe, Colonial Composer: Tales about Race and Music
16 references·3 citing·28 second hop
John Knox Bokwe, Colonial Composer: Tales about Race and Music (2005)John Knox Bokwe, Colonial Composer: Tales…Representing African Music (2014)Representing African MusicAn Introduction to Post-Colonial Theory (2014)An Introduction to Post-Colon…The Location of Culture (2012)The Location of CulturePostcolonialism: An Historical Introduction (2003)Postcolonialism: An Historica…The Cambridge History of Western Music Theory (2002)The Cambridge History of West…Introduction: On Difference, Representation, and Appropriation in Music (2001)Introduction: On Difference, …Western music and its others : difference, representation, and appropriation in music (2000)Western music and its others …Music, Modernity, and the Global Imagination: South Africa and the West (1999)Music, Modernity, and the Glo…Music, Modernity, and the Global Imagination (1999)Music, Modernity, and the Glo…Outside in the Teaching Machine (1996)Outside in the Teaching Machi…Colonial Desire: Hybridity in Theory, Culture and Race. (1996)Colonial Desire: Hybridity in…Colonial discourse/postcolonial theory (1994)Colonial discourse/postcoloni…White Mythologies: Writing History and the West (1991)White Mythologies: Writing Hi…In Township Tonight! South Africa's Black City Music and Theatre (1987)In Township Tonight! South Af…The Music of the English Parish Church (1980)The Music of the English Pari…A Dying Colonialism (1959)A Dying ColonialismGlobal Musical Modernisms as Decolonial Method (2023)Global Musical Modernisms as …The Examiner and the Evangelist: Authorities of Music and Empire,c.1894 (2020)The Examiner and the Evangeli…Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation (2010)Bizet in Khayelitsha: U-Carme…Rethinking authenticity in tourism experience (1999)Discourse Analysis as Theory and Method (2002)The New Mobilities Paradigm (2006)ON THE COLONIALITY OF BEING (2007)Subjects of Empire: Indigenous Peoples and the ‘Politics of Recognition’ in Canada (2007)Methodology of the Oppressed (2010)Imperialism, Sovereignty and the Making of International Law (2005)Making a World after Empire: The Bandung Moment and Its Political Afterlives (2010)Health and medicine (1990)The Cambridge Social History of Britain, 1750–1950 (1990)The Cambridge History of the Book in Britain (2002)INVOKING AFFECT (2005)Intersectionality as buzzword (2008)Translanguaging in the classroom: Emerging issues for research and pedagogy (2011)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)The Schenker Project (2007)SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)It's All In the Family: Intersections of Gender, Race, and Nation (1998)Coloniality of Power and Eurocentrism in Latin America (2000)Coloniality of Power, Eurocentrism, and Latin America (2008)The Post-Colonial Studies Reader (1996)Participatory development and empowerment: The dangers of localism (2000)Music and the Global Order (2004)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)Ethnic minority professionals’ experiences with subtle discrimination in the workplace (2011)The Postcolonial Unconscious (2011)Community resilience, globalization, and transitional pathways of decision-making (2012)
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References

  • 2012The Location of Culture17,820 cited
  • 1996Colonial Desire: Hybridity in Theory, Culture and Race.2,395 cited
  • 1996Outside in the Teaching Machine1,777 cited
  • 1991White Mythologies: Writing History and the West1,650 cited
  • 2003Postcolonialism: An Historical Introduction1,103 cited
  • 1959A Dying Colonialism625 cited
  • 2014An Introduction to Post-Colonial Theory592 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2002The Cambridge History of Western Music Theory449 cited
  • 1980The Music of the English Parish Church331 cited
  • 1999Music, Modernity, and the Global Imagination305 cited
  • 1987In Township Tonight! South Africa's Black City Music and Theatre292 cited
  • 2014Representing African Music285 cited
  • 1994Colonial discourse/postcolonial theory199 cited
  • 2001Introduction: On Difference, Representation, and Appropriation in Music125 cited
  • 1999Music, Modernity, and the Global Imagination: South Africa and the West110 cited

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Cited by

  • 2010Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation8 cited
  • 2020The Examiner and the Evangelist: Authorities of Music and Empire,c.18945 cited
  • 2023Global Musical Modernisms as Decolonial Method3 cited