SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B
0 references·16 citing·48 second hop
Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B (1984)Amfortas's Prayer to Titurel and the Role…The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content (2020)The Webern in Mozart: Systems…Generic Sequences and the Generic Tonnetz (2020)Generic Sequences and the Gen…A Tendency-Transformational Model of Enharmonic Modulations and Related Phenomena (2018)A Tendency-Transformational M…Understanding the leitmotif: from Wagner to Hollywood film music (2016)Understanding the leitmotif: …Extraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove (2010)Extraordinary Function and th…Metric Cubes in Some Music of Brahms (2009)Metric Cubes in Some Music of…Hexatonic Poles and the Uncanny in Parsifal (2007)Hexatonic Poles and the Uncan…David Lewin and Valhalla Revisited: New Approaches to Motivic Corruption in Wagner'sRingCycle (2007)David Lewin and Valhalla Revi…Plagal Harmony as Other: Asymmetrical Dualism and Instrumental Music by Brahms (2005)Plagal Harmony as Other: Asym…Bruckner's symphonies: analysis, reception and cultural politics (2005)Bruckner's symphonies: analys…The Metaphor of Musical Space (2003)The Metaphor of Musical SpaceChromatic Transformations in Nineteenth-Century Music (2002)Chromatic Transformations in …The Line of Fifths (2000)The Line of FifthsAnalytical Fictions (1994)Analytical FictionsSome Notes on Analyzing Wagner: "The Ring" and "Parsifal" (1992)Some Notes on Analyzing Wagne…Creatio ex nihilo: The Genesis, Structure, and Meaning of the "Rheingold" Prelude (1989)Creatio ex nihilo: The Genesi…Generalized Musical Intervals and Transformations (1988)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Varieties of Musicological Empiricism (2006)Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea (2012)Tonal prisms: iterated quantization in chromatic tonality and Ravel's ‘Ondine’ (2013)Women, Fire, and Dangerous Things (1987)The Condition of Postmodernity (1991)From etymology to pragmatics: Metaphorical and cultural aspects of semantic structure (1992)Turning music theory on its ear: Do we hear what we see? Do we see what we say? (2013)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Voice-Leading Parsimony in the Music of Alexander Scriabin (1998)Uniform Triadic Transformations (2002)Soaring Through the Sky (2019)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Second Sex (1949)The Bifocal Close and the Evolution of the Viennese Classical Style (1989)Late Brahms, Ancient Modes (2018)Brahms's Elegies (2019)‘Nineteenth‐Century’ Subdominants (2022)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Music Theory, Phenomenology, and Modes of Perception (1986)Tonality and transformation (2012)Scoring Loss in Some Recent Popular Film and Television (2014)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Elements of Sonata Theory (2006)Meter Metrics (2015)“Attractor Tempi” in Brahms’s Symphony No. 2/III (2018)Enacting Musical Time (2019)Course in General Linguistics (1960)A Grammar of Motives (1969)The Anxiety of Influence: A Theory of Poetry (1974)Toward a Naturalized Aesthetics of Film Music (2019)Musical Geopolitics: Masculinity, Nationhood, and the Scoring of Superman (1978–2006) (2021)Total Artwork: Wagner's Philosophies on Art and Music in the Ring Cycle (2022)‘Flow Like a Waterfall’: The Metaphors of Kaluli Musical Theory (1981)What Is Abstract About The Art of Music? (1988)Contemplating Music: Challenges to Musicology (1989)Our Varying Histories and Future Potential: Models and Maps in Science, the Humanities, and in Music Theory (2011)Solutions to the “Great Nineteenth-Century Rhythm Problem” in Horowitz’s Recording of the Theme from Schumann’sKreisleriana, Op. 16, No. 2 (2012)Music’s Stubborn Enchantments (and Music Theory’s) (2018)Style and Idea. Selected Writings of Arnold Schoenberg (1976)A geometry of music: harmony and counterpoint in the extended common practice (2012)Audacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Diatonic Voice-Leading Transformations (2023)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Cross-Type Transformations and the Path Consistency Condition (2007)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1992Some Notes on Analyzing Wagner: "The Ring" and "Parsifal"69 cited
  • 2003The Metaphor of Musical Space65 cited
  • 2007Hexatonic Poles and the Uncanny in Parsifal53 cited
  • 2002Chromatic Transformations in Nineteenth-Century Music51 cited
  • 2007David Lewin and Valhalla Revisited: New Approaches to Motivic Corruption in Wagner'sRingCycle45 cited
  • 1994Analytical Fictions37 cited
  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 2009Metric Cubes in Some Music of Brahms28 cited
  • 2005Plagal Harmony as Other: Asymmetrical Dualism and Instrumental Music by Brahms25 cited
  • 2020Generic Sequences and the Generic Tonnetz22 cited
  • 2000The Line of Fifths22 cited
  • 2020The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content21 cited
  • 2018A Tendency-Transformational Model of Enharmonic Modulations and Related Phenomena17 cited
  • 2010Extraordinary Function and the Half-Diminished Seventh in the Song of the Wood Dove15 cited
  • 2005Bruckner's symphonies: analysis, reception and cultural politics

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

11 cited
  • 1989Creatio ex nihilo: The Genesis, Structure, and Meaning of the "Rheingold" Prelude9 cited