Between Modes and Keys: German Theory 1592-1802

Benito V. Rivera · Joel Lester

53 citations0/0 files storedJournal of Music Theory

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period.

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2002Music theory and mathematics 2003A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition 1992Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500 2002Tonal organization in seventeenth-century music theory 1998Modal Theory, Church Keys, and the Sonata at the End of the Seventeenth Century 2018Cadential Syntax and Tonal Expectation in Late Sixteenth-Century Homophony 1993J. S. Bach's Mixolydian Chorale Harmonizations 2015BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’

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