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Cited by

• 2002Music theory and mathematics51 cited
• 2003A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition48 cited
• 1992Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 150043 cited
• 2002Tonal organization in seventeenth-century music theory42 cited
• 1998Modal Theory, Church Keys, and the Sonata at the End of the Seventeenth Century36 cited
• 1993J. S. Bach's Mixolydian Chorale Harmonizations24 cited
• 2018Cadential Syntax and Tonal Expectation in Late Sixteenth-Century Homophony24 cited
• 2015BLAINVILLE'S NEW MODE, OR HOW THE PLAGAL CADENCE CAME TO BE ‘PLAGAL’19 cited
• 2002From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics13 cited
• 2002Steps to Parnassus: contrapuntal theory in 1725 precursors and successors9 cited
• 1992A Theoretical Work of Late Seventeenth-Century Muscovy: Nikolai Diletskii's Grammatika and the Earliest Circle of Fifths9 cited
• 2023Open Access Musicology8 cited
• 2010Modes on the Move: Interval Cycles and the Emergence of Major-Minor Tonality5 cited
• 2020What Do Signatures Signify?5 cited