The culture of playgoing in Shakespeare's England: a collaborative debate

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Renaissance Literature and Culture Theatre and Performance Studies Shakespeare, Adaptation, and Literary Criticism

Abstract

Acknowledgments Introduction Paul Yachnin and Anthony B. Dawson Part I. Participation vs Populuxe: Two Theories of Early Modern Theatre: 1. Performance and participation Anthony B. Dawson 2. The Populuxe theatre Paul Yachnin Part II. Theatrical Pleasure and the Contest of Vision: 3. Eye to eye opposed Paul Yachnin 4. The distracted Globe Anthony B. Dawson Part III. Objects of Wonder and Desire: 5. Magical properties Paul Yachnin 6. Props, pleasure and idolatry Anthony B. Dawson Part IV. National Pastimes: 7. The arithmetic of memory Anthony B. Dawson 8. The house of fame Paul Yachnin Afterword Paul Yachnin and Anthony Dawson Index.

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2003Stephen Greenblatt's Hamlet and the Forms of Oblivion 2004"Unkind Division": The Double Absence of Performing History in 1 Henry VI 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre 2015Clowning and authorship in early modern theatre 2014The poetics and politics of youth in Milton's England 2010Shakespeare's Richard II, "Popularity," and the Early Modern Public Sphere 2017Shakespeare Performance Studies 2015Where are the Archers in Shakespeare?

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