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Sound Studies: Missing the (Popular) Music for the Screens?
16 references·1 citing·42 second hop
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References

  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 2006The mp3 as cultural artifact205 cited
  • 2004Experiencing Music Video: Aesthetics and Cultural Context167 cited
  • 2003When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution137 cited
  • 2005MP3s Are Killing Home Taping: The Rise of Internet Distribution and Its Challenge to the Major Label Music Monopoly1102 cited
  • 2004Long Play: Adult-Oriented Popular Music and the Temporal Logics of the Post-War Sound Recording Industry in the USA80 cited
  • 2000The Sounds of Commerce: Marketing Popular Film Music.78 cited
  • 2003“I Don't Like to Dream about Getting Paid”68 cited
  • 2002Rock Over the Edge58 cited
  • 2001Soundtrack Available54 cited
  • 2001You Keep Coming Back Like A Song: Adult Audiences, Taste Panics, and the Idea of the Standard41 cited
  • 2005Building International Empires of Sound: Concentrations of Power and Property in the “Global” Music Market41 cited
  • 2007Medium Cool39 cited
  • 2005The Bad Object: Television in the American Academy

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34 cited
  • 2006Furniture Music: The Phonograph as Furniture, 1900?193021 cited
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    • 2021Born to Run : The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen2 cited