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Ideology and Aesthetic Hypotheses in the Criticism of Neo-Realism
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Cited by

  • 2003Death Every Afternoon126 cited
  • 1997The White Man’s Muscles56 cited
  • 2003The Screen of Fantasy (Bazin and Animals)27 cited
  • 1997Mezz Mezzrow and the Voluntary Negro Blues24 cited
  • 1997Fists of Fury20 cited
  • 2017The white man’s muscles17 cited
  • 2003History of Image, Image of History12 cited
  • 2015Neorealism as Ideology: Bazin, Deleuze, and the Avoidance of Fascism11 cited
  • 1998Pasolini on Terra Sancta : Towards a Theology of Film9 cited
  • 2015Visual-spatial intelligence in propaganda and public relations discourse: The case of Roberto Rossellini’s early and educational-historical films8 cited
  • 2000Bicycle Thieves: A Re-reading7 cited
  • 2003Filmic Tableau Vivant7 cited
  • 2003Mike Leigh’s Modernist Realism6 cited
  • 2003Pasolini On Terra Sancta:1 cited

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