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>Political themes in popular music videos: MTV's “Top 200, Ever”
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>Political themes in popular music videos: MTV's “Top 200, Ever” (1994)>Political themes in popular music videos…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Rhythm and resistance: explorations in the political uses of popular music (1991)Rhythm and resistance: explor…Media Systems in Society: Understanding Industries, Strategies, and Power (1991)Media Systems in Society: Und…Communication Criticism: Approaches and Genres (1990)Communication Criticism: Appr…Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Rocking Around the Clock: Mus…Music Videos and Epistemic Socialization (1987)Music Videos and Epistemic So…Music Videos: The Look of the Sound (1986)Music Videos: The Look of the…The good man singing well: Stevie wonder as noble lover (1985)The good man singing well: St…The Rolling stone book of rock video (1984)The Rolling stone book of roc…The politics of rock music (1984)The politics of rock musicRhetorical ascription and the gospel according to Dylan (1983)Rhetorical ascription and the…Great Day Coming: Folk Music and the American Left (1972)Great Day Coming: Folk Music …Great day coming; folk music and the American left (1971)Great day coming; folk music …The musical form in rhetorical exchange: Theoretical considerations (1972)The Prospect of Rhetoric (1973)A time for every purpose under heaven: Rhetorical dimensions of protest music (1981)Critical response and reply (1986)Virtuosity as rhetoric: Agency and transformation in Paganini's mastery of the violin (1998)Music as Persuasion: Refuting Hegemonic Masculinity in “He Thinks He'll Keep Her” (1999)The Anti-Aesthetic: Essays on Postmodern Culture (1984)Rethinking Intellectual History: Texts, Contexts, Language (1985)Art after Modernism: Rethinking Representation (1991)“Where My Girls At?” (2002)Contributions of Music Video Exposure to Black Adolescents’ Gender and Sexual Schemas (2005)Does Media Type Matter? The Role of Identification in Adolescent Girls’ Media Consumption and the Impact of Different Thin-Ideal Media on Body Image (2011)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)Consumer Culture and Postmodernism (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Marketing in a postmodern world (1995)Suicidal rage: An analysis of hardcore punk lyrics (1987)What's the buzz?: Rethinking the meanings and uses of alcohol and other drugs among small‐timerock ‘n’ roll musicians (1991)‘The Age of the Beatles’: Parliament and Popular Music in the 1960s (2012)Invisible republics and secret histories: A politics of music (2000)The voice of southern labor: radio, music, and textile strikes, 1929-1934 (2005)Why is Music So Ideological, and Why Do Totalitarian States Take It So Seriously? A Personal View from History and the Social Sciences (2007)Art music from 1800 to 1860 (1998)Vilayeti Rhythms (2000)Music in War, Music for Peace: A Review Article (2011)Word People vs. Picture People: Normative Differences and Strategies for Control Over Work Among Newsroom Subgroups (2002)House of Netflix: Streaming media and digital lore (2018)Designing a Qualitative Study (2023)Music, television, and video: Historical and aesthetic considerations (1987)The relationship between violent and sexual images and the popularity of music videos (1990)Music Video as Communication: Popular Formulas and Emerging Genres (1992)Presidential spectacles: Political illusionism and the rhetoric of travel (1998)Chapter 8: Three Decades of Developing, Grounding, and Using Symbolic Convergence Theory (SCT) (2001)Corporate E-Cruiting: The Construction of Work in Fortune 500 Recruiting Web Sites (2005)
this work references cited by second hop

References

  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1987Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture353 cited
  • 1991Media Systems in Society: Understanding Industries, Strategies, and Power118 cited
  • 1991Rhythm and resistance: explorations in the political uses of popular music108 cited
  • 1986Music Videos: The Look of the Sound91 cited
  • 1990Communication Criticism: Approaches and Genres69 cited
  • 1971Great day coming; folk music and the American left52 cited
  • 1983Rhetorical ascription and the gospel according to Dylan49 cited
  • 1984The Rolling stone book of rock video25 cited
  • 1984The politics of rock music22 cited
  • 1985The good man singing well: Stevie wonder as noble lover18 cited
  • 1987Music Videos and Epistemic Socialization14 cited
  • 1972Great Day Coming: Folk Music and the American Left12 cited

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