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File-sharing—fight, ignore or compete
10 references·8 citing·46 second hop
File-sharing—fight, ignore or compete (2004)File-sharing—fight, ignore or competeThe Effect of File Sharing on Record Sales: An Empirical Analysis (2007)The Effect of File Sharing on…Digital music and subculture: Sharing files, sharing styles (2004)Digital music and subculture:…When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution (2003)When Creators, Corporations a…The dead poets society: The copyright term and the public domain (2003)The dead poets society: The c…When Should We Use Intellectual Property Rights? (2002)When Should We Use Intellectu…Sonic boom: Napster, MP3, and the new pioneers of music (2002)Sonic boom: Napster, MP3, and…Peer-to-Peer File Sharing: The Case of the Music Recording Industry (2002)Peer-to-Peer File Sharing: Th…Music in Electronic Markets (2001)Music in Electronic MarketsA broadcasting model for the music industry (2001)A broadcasting model for the …Media Economics: Concepts and Issues (1992)Media Economics: Concepts and…Antecedents and consequences of explicit and implicit attitudes toward digital piracy (2021)Antecedents and consequences …The digital distribution of music and its impact on the business models of independent musicians (2017)The digital distribution of m…Determinants of Unlawful File Sharing: A Scoping Review (2015)Determinants of Unlawful File…Determinants And Welfare Implications Of Unlawful File Sharing: A Scoping Review (2014)Determinants And Welfare Impl…PiratingPirates of the Caribbean: The curse of cyberspace (2013)PiratingPirates of the Caribb…De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop (2013)De-Nationalization and Re-Nat…Understanding illegal music downloading in the UK: a multi‐attribute model (2011)Understanding illegal music d…Seeders, leechers and social norms: Evidence from the market for illicit digital downloading (2010)Seeders, leechers and social …The Logic of Collective Action (1965)The Logic of Collective Action: Public Goods and the Theory of Groups. 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this work references cited by second hop

References

  • 2007The Effect of File Sharing on Record Sales: An Empirical Analysis865 cited
  • 1992Media Economics: Concepts and Issues358 cited
  • 2003When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution137 cited
  • 2002When Should We Use Intellectual Property Rights?94 cited
  • 2002Peer-to-Peer File Sharing: The Case of the Music Recording Industry78 cited
  • 2002Sonic boom: Napster, MP3, and the new pioneers of music56 cited
  • 2001Music in Electronic Markets50 cited
  • 2001A broadcasting model for the music industry38 cited
  • 2004Digital music and subculture: Sharing files, sharing styles36 cited
  • 2003The dead poets society: The copyright term and the public domain31 cited

Cited by

  • 2011Understanding illegal music downloading in the UK: a multi‐attribute model28 cited
  • 2013PiratingPirates of the Caribbean: The curse of cyberspace28 cited
  • 2021Antecedents and consequences of explicit and implicit attitudes toward digital piracy27 cited
  • 2010Seeders, leechers and social norms: Evidence from the market for illicit digital downloading24 cited
  • 2017The digital distribution of music and its impact on the business models of independent musicians

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23 cited
  • 2015Determinants of Unlawful File Sharing: A Scoping Review23 cited
  • 2014Determinants And Welfare Implications Of Unlawful File Sharing: A Scoping Review12 cited
  • 2013De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop7 cited