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Professionalism and the visual artist
2 references·9 citing·45 second hop
Professionalism and the visual artist (1994)Professionalism and the visual artistThe Economics of Superstars (2009)The Economics of SuperstarsUnnatural Value: Or Art Investment as Floating Crap Game (1985)Unnatural Value: Or Art Inves…The meaning of autonomy: How artists justify career paths (2024)The meaning of autonomy: How …The role of institutional relationships in shaping the career development of emerging artists (2022)The role of institutional rel…Professional Self-Structuration in the Arts: Sustaining Creative Careers in the 21st Century (2017)Professional Self-Structurati…(Un)bearable freedom : Exploring the becoming of the artist in education, work and family life (2016)(Un)bearable freedom : Explor…What Happens to Artistic Aspirants Who Do Not "Succeed''? A Research Note From the Strategic National Arts Alumni Project (2013)What Happens to Artistic Aspi…The Economics of Cultural Policy (2010)The Economics of Cultural Pol…Conceiving Artistic Work in the Formation of Artist Policy: Thinking Beyond Disinterest and Autonomy (2004)Conceiving Artistic Work in t…Artists as Amateurs and Volunteers (2002)Artists as Amateurs and Volun…Collective reproduction through individual efforts: The location of Norwegian artists in the income hierarchy (1997)Collective reproduction throu…Method in Social Science: A Realist Approach. (1986)The Field of Cultural Production (1994)Poor artists in a welfare state: A study in the politics and economics of symbolic rewards1 (2000)Studies of Artists: An Annotated Directory (2000)The field of Cultural Production (2002)Muting the koto: exploring musical pathways as a DIY artist in a new country (2018)Toward a Theory of Organizational Creativity (1993)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The Skill Content of Recent Technological Change: An Empirical Exploration (2003)Choosing Bad Jobs: The Use of Nonstandard Work as a Commitment Device (2020)Social Exclusion in the Arts: The Dynamics of Social and Economic Mobility Across Three Decades of Undergraduate Arts Alumni in the United States (2022)Socially distanced artistic careers: Professional social interactions in early, established, and late career stages during COVID-19 (2023)Bowling alone (2000)Do Artists Benefit from Arts Policy? The Position of Performing Artists in Flanders (2001–2008) (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)Creative Work and Public Policy (2024)Giving with Impure Altruism: Applications to Charity and Ricardian Equivalence (1989)ARTISTIC LABOR MARKETS AND CAREERS (1999)An Economic Theory of Clubs (1965)Hedonic Prices and Implicit Markets: Product Differentiation in Pure Competition (1974)Schooling, Experience, and Earnings (1974)Herd Behavior and Investment (1988)Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)Top Incomes in the Long Run of History (2011)The Problem of Social Cost (1960)The clash of civilizations and the remaking of world order (1997)Why Should Economists be Interested in Cultural Policy? (2012)Public provision vs. outsourcing of cultural services: Evidence from Italian cities (2014)The role of culture in sustainable urban development: some economic issues (2014)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Careers in and out of Organizations (2002)The future of employment: How susceptible are jobs to computerisation? (2016)Music Students’ Definitions, Evaluations, and Rationalizations of Entrepreneurship (2019)Measures for the betterment of the labor market position of non-standard working regimes in the cultural and creative sector in the Netherlands (2021)Mentors and Protégés: A Critical Review of the Literature (1983)Motivational synergy: Toward new conceptualizations of intrinsic and extrinsic motivation in the workplace (1993)Networking behaviors and career outcomes: differences for men and women? (2004)Assessing the notion of art as a product: entrepreneurial marketing insights from the visual arts (2023)Culture in Action: Symbols and Strategies (1986)The Field of Cultural Production: Essays on Art and Literature (1996)The Study of Boundaries in the Social Sciences (2002)Portrait of the Artist as a Non-Artist. Matryoshka Roles and the Heteronomization of the Italian Art Field (2024)Accounting for taste: Art and the financial markets over three centuries (1993)Art as an investment: The market for modern prints (1993)Buying Beauty: On Prices and Returns in the Art Market (2012)
this work references cited by second hop

References

  • 2009The Economics of Superstars1,684 cited
  • 1985Unnatural Value: Or Art Investment as Floating Crap Game377 cited

Cited by

  • 2017Professional Self-Structuration in the Arts: Sustaining Creative Careers in the 21st Century30 cited
  • 2010The Economics of Cultural Policy26 cited
  • 2013What Happens to Artistic Aspirants Who Do Not "Succeed''? A Research Note From the Strategic National Arts Alumni Project18 cited
  • 2024The meaning of autonomy: How artists justify career paths14 cited
  • 2022The role of institutional relationships in shaping the career development of emerging artists13 cited
  • 2002Artists as Amateurs and Volunteers12 cited
  • 2004Conceiving Artistic Work in the Formation of Artist Policy: Thinking Beyond Disinterest and Autonomy12 cited
  • 1997Collective reproduction through individual efforts: The location of Norwegian artists in the income hierarchy10 cited
  • 2016(Un)bearable freedom : Exploring the becoming of the artist in education, work and family life9 cited

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