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Tonal Plan and Narrative Plot in Tchaikovsky's Symphony No. 5 in E Minor
12 references·1 citing·37 second hop
Tonal Plan and Narrative Plot in Tchaikovsky's Symphony No. 5 in E Minor (1991)Tonal Plan and Narrative Plot in Tchaikov…Musorgsky as Modernist: The Phantasmic Episode in 'Boris Godunov' (1990)Musorgsky as Modernist: The P…Music as Drama (1988)Music as DramaMirrors and Metaphors: Reflections on Schoenberg and Nineteenth-Century Tonality (1987)Mirrors and Metaphors: Reflec…Beethoven's Ninth Symphony: A Search for Order (1986)Beethoven's Ninth Symphony: A…Once More "Between Absolute and Program Music": Schumann's Second Symphony (1984)Once More "Between Absolute a…Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B (1984)Amfortas's Prayer to Titurel …Motivic and Tonal Interaction in Verdi's "Un ballo in maschera" (1983)Motivic and Tonal Interaction…Ernst Kurth and the Analysis of the Chromatic Music of the Late Nineteenth Century (1983)Ernst Kurth and the Analysis …Alternatives to Monotonality in Early Nineteenth-Century Music (1981)Alternatives to Monotonality …Key Relations in Verdi's Un Ballo in Maschera (1978)Key Relations in Verdi's Un B…The Structure of the "Ring" and Its Evolution (1977)The Structure of the "Ring" a…The Composer's Voice (1974)The Composer's VoiceSYMPHONIC PASTORALS (2011)SYMPHONIC PASTORALSGioachino Rossini and the Conventions of Composition (1970)Verdi and the Fusion of Genres (1982)Ancora un bacio: Three Scenes from Verdi's "Otello" (1985)Mahler's tonal strategies: A study of the song cycles† (1986)The Verdi Companion (1988)Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Anatomy of Criticism: Four Essays (1959)To Understand Verdi and Wagner We Must Understand Mozart (1987)A Tale of Two Symphonies: Converging Narratives of Divine Reconciliation in Beethoven's Fifth and Sixth (2000)The Cambridge Companion to the Symphony (2013)Rabelais and his world (2020)Art as Experience (1934) (2026)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)More About Metaphor (1977)Metaphor and Thought (1979)From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics (2002)Bruckner's symphonies: analysis, reception and cultural politics (2005)Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony (2018)Some Notes on Analyzing Wagner: "The Ring" and "Parsifal" (1992)The Metaphor of Musical Space (2003)Hexatonic Poles and the Uncanny in Parsifal (2007)On Key Relations in Opera (1979)The dramaturgy of opera (2012)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)Virtuosity and the Musical Work (2003)Ironic Narrative, Ironic Reading (2009)Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Chromatic Third-Relations and Tonal Structure in the Songs of Debussy (1995)Tales of Two Tonics: Directional Tonality in Debussy's Orchestral Music (2004)Understanding the leitmotif: from Wagner to Hollywood film music (2016)The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis (1981)Tonality (2002)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)
this work references cited by second hop

References

  • 1974The Composer's Voice387 cited
  • 1984Once More "Between Absolute and Program Music": Schumann's Second Symphony200 cited
  • 1981Alternatives to Monotonality in Early Nineteenth-Century Music128 cited
  • 1977The Structure of the "Ring" and Its Evolution127 cited
  • 1984Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B75 cited
  • 1987Mirrors and Metaphors: Reflections on Schoenberg and Nineteenth-Century Tonality38 cited
  • 1983Ernst Kurth and the Analysis of the Chromatic Music of the Late Nineteenth Century36 cited
  • 1986Beethoven's Ninth Symphony: A Search for Order33 cited
  • 1978Key Relations in Verdi's Un Ballo in Maschera15 cited
  • 1983Motivic and Tonal Interaction in Verdi's "Un ballo in maschera"14 cited
  • 1988Music as Drama12 cited
  • 1990Musorgsky as Modernist: The Phantasmic Episode in 'Boris Godunov'9 cited

Cited by

  • 2011SYMPHONIC PASTORALS4 cited

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