Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music

14 references·15 citing·35 second hop

FromToDepth

this work references cited by second hop

References

1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
1986Music Theory, Phenomenology, and Modes of Perception319 cited
2004Uncanny Resemblances: Tonal Signification in the Freudian Age155 cited
1995Reimag(in)ing Riemann151 cited
1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
1981Alternatives to Monotonality in Early Nineteenth-Century Music128 cited
1977The Structure of the "Ring" and Its Evolution127 cited
1982The Corded Shell: Reflections on Musical Expression103 cited
1991Ernst Kurth: Selected Writings88 cited
1986The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations"72 cited
2005When Functions Collide: Aspects of Plural Function in Chromatic Music71 cited
1982Wagner's "Siegfried" : its drama, history, and music69 cited
1988Hugo Wolf's Lieder and Extensions of Tonality62 cited
1994Mozart's felix culpa: Così fan tutte and the Irony of Beauty59 cited

Cited by

2012Directional Tonality in Schumann’s Early Works51 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited

2012Tonal Structures in Bellini21 cited

2014Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works15 cited

2013Sound and semantics: topics in the music of Arnold Schoenberg15 cited

2019On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality14 cited

2010Prolongation in the Choral Music of Benjamin Britten11 cited

2018Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony10 cited

2017PL Voice Leading and the Uncanny in Pop Music9 cited

2009B rahms ' s M otivic H armonies and C ontemporary T onal T heory : T hree C ase S tudies from the C hamber M usic7 cited

2007The topic of the sacred hymn in Beethoven's instrumental music7 cited

2017Alfred Schnittke’s Triadic Practice6 cited

2011The Shadow of Midnight in Schubert's 'Gondelfahrer' Settings4 cited

2014The Transformational Energetics of the Tonal Universe: Cohn, Rings and Tymoczko3 cited

2015Thus Spoke the Early Modernist:Zarathustraand Rotational Form in Webern's String Quartet (1905)3 cited