The “expanded cadential progression”: A category for the analysis of classical form†

William Earl Caplin

75 citations0/0 files storedJournal of Musicological Research

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

(1987). The “expanded cadential progression”: A category for the analysis of classical form. Journal of Musicological Research: Vol. 7, No. 2-3, pp. 215-257.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 75 citations exist upstream.

References

1968Fundamentals of Musical Composition 1982Texture as a Sign in Classic and Early Romantic Music

Cited by

2012Harmony in Haydn and Mozart 2018Beyond the Classical Cadence: Thematic Closure in Early Romantic Music 2010Punctuation and Sense in Late-Eighteenth-Century Music 2012Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence 1999Koch, Schenker, and the Development Section of Sonata Forms by C. P. E. Bach 2018Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music 2020Rethinking Mendelssohn 2016Parametric Interaction in Tonal Repertoires

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.