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The “expanded cadential progression”: A category for the analysis of classical form†
2 references·16 citing·35 second hop
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this work references cited by second hop

References

  • 1968Fundamentals of Musical Composition457 cited
  • 1982Texture as a Sign in Classic and Early Romantic Music132 cited

Cited by

  • 2012Harmony in Haydn and Mozart74 cited
  • 2018Beyond the Classical Cadence: Thematic Closure in Early Romantic Music66 cited
  • 2010Punctuation and Sense in Late-Eighteenth-Century Music53 cited
  • 2012Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence44 cited
  • 1999Koch, Schenker, and the Development Section of Sonata Forms by C. P. E. Bach40 cited
  • 2018Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music33 cited
  • 2020Rethinking Mendelssohn31 cited
  • 2016Parametric Interaction in Tonal Repertoires29 cited
  • 2020Continuous Question-Answer Pairs22 cited
  • 2024Cadence21 cited
  • 2016Bass-Line Melodies and Form in Four Piano and Chamber Works by Clara Wieck-Schumann19 cited
  • 2020Dvořák and Subordinate Theme Closure18 cited
  • 2020Diverging Subordinate Themes and Internal Transitions: Assessing Internal Modulations in Three‐Key Expositions17 cited

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  • 2020Fanny Hensel’s Sechs Lieder, Op. 915 cited
  • 2020Changes of Pace15 cited
  • 2020‘Time Is, Time Was, Time Is Past’15 cited