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Music and Politics in Africa
16 references·14 citing·32 second hop
Music and Politics in Africa (2004)Music and Politics in AfricaThe Practice in Everyday Life (2020)The Practice in Everyday LifeDomination and the Arts of Resistance (2017)Domination and the Arts of Re…Representing African Music: Postcolonial Notes, Queries, Positions (2004)Representing African Music: P…People as Infrastructure: Intersecting Fragments in Johannesburg (2004)People as Infrastructure: Int…The Cultural study of music: a critical introduction (2003)The Cultural study of music: …Performing the Nation: Swahili Music and Cultural Politics in Tanzania (2002)Performing the Nation: Swahil…African Modes of Self-Writing (2002)African Modes of Self-WritingSuspensions of perception: Attention, spectacle, and modern culture (2001)Suspensions of perception: At…Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Nationalists, Cosmopolitans, …5. The Practice of Everyday Life (2000)5. The Practice of Everyday L…Suspensions of Perception (1999)Suspensions of PerceptionCassette culture: popular music and technology in north India (1993)Cassette culture: popular mus…Domination and the arts of resistance: hidden transcripts (1991)Domination and the arts of re…Popular Arts in Africa (1987)Popular Arts in AfricaOrality and Literacy (1982)Orality and LiteracyHow Musical Is Man? (1976)How Musical Is Man?Music and political identity salience in Nigeria’s 2023 presidential election (2024)Music and political identity …Youth Popular Music, Waithood and Protest: Zimdancehall Music in Zimbabwe (2022)Youth Popular Music, Waithood…COVID-19 and the Ugandan Presidential Election: Contesting Lockdown Authority in Popular Songs (2022)COVID-19 and the Ugandan Pres…Discursive Strategies in Selected Political Campaign Songs in Southwestern Nigeria (2020)Discursive Strategies in Sele…The Societal Value of Art and Music in the Bapedi Culture and the Implications for Music in Healing as a Cultural Phenomenon (2019)The Societal Value of Art and…Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy (2018)Political Messages in African…Perspectives of Zimbabwe–China relations in Wallace Chirumiko’s ‘Made in China’ (2012) and NoViolet Bulawayo’sWe Need New Names(2013) (2016)Perspectives of Zimbabwe–Chin…The Politics of Silence: Music, Violence and Protest in Guinea (2014)The Politics of Silence: Musi…Changing representations of women in Ghanaian popular music: Marrying research and advocacy (2012)Changing representations of w…“Mr. President”: Musical Open Letters as Political Commentary in Africa (2012)“Mr. President”: Musical Open…The role of Rap/Hip Hop music in the meaning and maintenance of identity in South African youth (2009)The role of Rap/Hip Hop music…Popular music and political change in Cte d'Ivoire: the divergent dynamics of zouglou and reggae (2009)Popular music and political c…NEGOTIATING A COMMON TRANSNATIONAL SPACE (2009)NEGOTIATING A COMMON TRANSNAT…Performance Geographies from Slave Ship to Ghetto (2008)Performance Geographies from …Citizen and Subject: Contemporary Africa and the Legacy of Late Colonialism. (1997)Modernity at Large: Cultural Dimensions of Globalization. (1998)Writing the World from an African Metropolis (2004)Theory from the South: Or, how Euro-America is Evolving Toward Africa (2012)Epistemic Freedom in Africa (2018)Black Skin, White Masks (2023)The Production of Space (1992)Writings on cities (1996)The 21st-Century Metropolis: New Geographies of Theory (2008)Migration Infrastructure (2014)The Nature of Cities: The Scope and Limits of Urban Theory (2014)What Is Agency? (1998)Language and Agency (2001)The Logic of Violence in Civil War (2006)Rethinking Market Research: Putting People Back In (1997)Signals in Social Supernets (2007)The Mediatization of Society (2008)Autoethnography: An Overview (2010)Towards a Politics of Mobility (2010)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)Data Derivatives (2011)Rethinking ethnography: Towards a critical cultural politics (1991)Inventing Social Categories Through Place: Social Representations and Development in Nepal (1992)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)The Moral Significance of Class (2005)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Put to the test: For a new sociology of testing (2020)Dangerous Desires: Television and Erotics in Late Twentieth-Century India (2004)The Production of Culture Perspective (2004)World music: deterritorializing place and identity (2004)
this work references cited by second hop

References

  • 20005. The Practice of Everyday Life10,734 cited
  • 1982Orality and Literacy7,002 cited
  • 1991Domination and the arts of resistance: hidden transcripts6,530 cited
  • 2017Domination and the Arts of Resistance4,326 cited
  • 2020The Practice in Everyday Life3,059 cited
  • 2004People as Infrastructure: Intersecting Fragments in Johannesburg2,223 cited
  • 1999Suspensions of Perception1,104 cited
  • 2002African Modes of Self-Writing806 cited
  • 1993Cassette culture: popular music and technology in north India635 cited
  • 2003The Cultural study of music: a critical introduction609 cited
  • 2001Suspensions of perception: Attention, spectacle, and modern culture551 cited
  • 1987Popular Arts in Africa539 cited
  • 2002Performing the Nation: Swahili Music and Cultural Politics in Tanzania528 cited
  • 1976How Musical Is Man?465 cited
  • 2004Representing African Music: Postcolonial Notes, Queries, Positions447 cited
  • 2000Nationalists, Cosmopolitans, and Popular Music in Zimbabwe444 cited

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Cited by

  • 2008Performance Geographies from Slave Ship to Ghetto38 cited
  • 2016Perspectives of Zimbabwe–China relations in Wallace Chirumiko’s ‘Made in China’ (2012) and NoViolet Bulawayo’sWe Need New Names(2013)32 cited
  • 2014The Politics of Silence: Music, Violence and Protest in Guinea31 cited
  • 2012Changing representations of women in Ghanaian popular music: Marrying research and advocacy23 cited
  • 2018Political Messages in African Music: Assessing Fela Anikulapo-Kuti, Lucky Dube and Alpha Blondy21 cited
  • 2009NEGOTIATING A COMMON TRANSNATIONAL SPACE20 cited
  • 2022Youth Popular Music, Waithood and Protest: Zimdancehall Music in Zimbabwe15 cited
  • 2012“Mr. President”: Musical Open Letters as Political Commentary in Africa14 cited
  • 2019The Societal Value of Art and Music in the Bapedi Culture and the Implications for Music in Healing as a Cultural Phenomenon9 cited
  • 2009Popular music and political change in Cte d'Ivoire: the divergent dynamics of zouglou and reggae6 cited
  • 2020Discursive Strategies in Selected Political Campaign Songs in Southwestern Nigeria6 cited
  • 2009The role of Rap/Hip Hop music in the meaning and maintenance of identity in South African youth5 cited
  • 2022COVID-19 and the Ugandan Presidential Election: Contesting Lockdown Authority in Popular Songs4 cited
  • 2024Music and political identity salience in Nigeria’s 2023 presidential election3 cited