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Aimé Césaire: Une traversée paradoxale du siècle
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Aimé Césaire: Une traversée paradoxale du siècle (1994)Aimé Césaire: Une traversée paradoxale du…Cold War and Black Transnationalism: Aimé Césaire and Mercer Cook at the First International Congress of Black Writers and Artists (2015)Cold War and Black Transnatio…The (Revised) Birth of Negritude: Communist Revolution and “the Immanent Negro” in 1935 (2010)The (Revised) Birth of Negrit…“What Is Mine”: Césairean Negritude between the Particular and the Universal (2010)“What Is Mine”: Césairean Neg…From Fanon to Glissant: A Martinican Genealogy (2009)From Fanon to Glissant: A Mar…Haiti and departmentalization: the spectral presence of Toussaint Louverture (2008)Haiti and departmentalization…Toward a Creole Myth of Origin: Narrative, Foundations and Eschatology in Patrick Chamoiseau's L'esclave Vieil Homme et le Molosse (2006)Toward a Creole Myth of Origi…Isms and Schisms: Interpreting Religion in the Americas (2003)Isms and Schisms: Interpretin…Creole Vernacular Theatre: Transcolonial Translations in Mauritius (2003)Creole Vernacular Theatre: Tr…The ?C�saire Effect,? or How to Cultivate One's Nation (2001)The ?C�saire Effect,? or How …Creole identity in the French Caribbean novel (2001)Creole identity in the French…Between God and the President: Literature and Censorship in North Africa (1997)Between God and the President…La Tragédie du Roi Christophe (1961)Cahier d'un retour au pays natal (1995)The Wretched of the Earth (2000)Fanon, Memmi, Glissant and postcolonial writing (2012)Island writing, Creole cultures (2012)Co-opting Haitian History in Martinican Theatre (2013)Refashioning Futures (1999)A colony of citizens: revolution and slave emancipation in the French Caribbean, 1787-1804 (2004)Conscripts of Modernity (2004)The Negro Family in the United States (1949)The Myth of the Negro Past (1961)The Black Atlantic: Modernity and Double Consciousness. (1997)The Location of Culture (2012)Black Skin, White Masks (2023)Modernity at Large: Cultural Dimensions of Globalization. (1998)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)Continents and Archipelagoes: FromE Pluribus Unumto Creolized Solidarities (2008)The Cambridge History of Postcolonial Literature (2012)Culture and Imperialism (2017)The empire writes back: theory and practice in post-colonial literatures (1990)The practice of diaspora: literature, translation, and the rise of black internationalism (2003)Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere (1994)Introduction: Corrupt Originals: The Paradox of Censorship (1994)The Newly Veiled Woman: Irigaray, Specularity, and the Islamic Veil (1998)Persecution and the Art of Writing: (2014)Aimé Césaire, the collected poetry (1983)Nationalists and nomads: essays on francophone African literature and culture (1999)The French Atlantic Triangle (2008)Black and White and Re(a)d All Over: L'Étudiant noir, Communism, and the Birth of Négritude (2013)The Foucault Reader (1984)The Postmodern Condition: A Report on Knowledge (1984)Nietzsche, Genealogy, History (2019)Interrogating Hybridity: Subaltern Agency and Totality in Postcolonial Theory (2005)Remapping the Crime Novel in the Francophone Caribbean: The Case of Patrick Chamoiseau's Solibo Magnifique (2007)A Legacy of Trauma: Caribbean Slavery, Race, Class, and Contemporary Identity inAbeng (2009)
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Cited by

  • 2001Creole identity in the French Caribbean novel39 cited
  • 2010“What Is Mine”: Césairean Negritude between the Particular and the Universal35 cited
  • 2003Creole Vernacular Theatre: Transcolonial Translations in Mauritius29 cited
  • 2001The ?C�saire Effect,? or How to Cultivate One's Nation21 cited
  • 1997Between God and the President: Literature and Censorship in North Africa21 cited
  • 2008Haiti and departmentalization: the spectral presence of Toussaint Louverture17 cited
  • 2010The (Revised) Birth of Negritude: Communist Revolution and “the Immanent Negro” in 193517 cited
  • 2009From Fanon to Glissant: A Martinican Genealogy10 cited
  • 2006Toward a Creole Myth of Origin: Narrative, Foundations and Eschatology in Patrick Chamoiseau's L'esclave Vieil Homme et le Molosse10 cited
  • 2003Isms and Schisms: Interpreting Religion in the Americas9 cited
  • 2015Cold War and Black Transnationalism: Aimé Césaire and Mercer Cook at the First International Congress of Black Writers and Artists8 cited

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