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Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting
4 references·16 citing·45 second hop
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this work references cited by second hop

References

  • 2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
  • 1996Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass106 cited
  • 2003Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis84 cited
  • 2007Fiber-Optic Fourier Transform Mid-Infrared Reflectance Spectroscopy: A Suitable Technique for in Situ Studies of Mural Paintings73 cited

Cited by

  • 2019Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR69 cited
  • 2016New Frontiers in Application of FTIR Microscopy for Characterization of Cultural Heritage Materials60 cited
  • 2015A holistic multimodal approach to the non-invasive analysis of watercolour paintings56 cited
  • 2011Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi55 cited
  • 2008Portable Equipment for Luminescence Lifetime Measurements on Surfaces54 cited
  • 2015Portable diffuse reflectance infrared Fourier transform (DRIFT) technique for the non-invasive identification of canvas ground: IR spectra reference collection53 cited
  • 2010The examination of works of art using in situ XRF line and area scans52 cited
  • 2014Characterization of natural organic colorants in historical and art objects by high‐performance liquid chromatography

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52 cited
  • 2011Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations51 cited
  • 2015Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique50 cited
  • 2010Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy49 cited
  • 2013The Book of Kells: A non-invasive MOLAB investigation by complementary spectroscopic techniques46 cited
  • 2020Multi-analytical investigation of panel, pigments and varnish of The Martyirdom of St. Catherine by Gaudenzio Ferrari (16th century)45 cited
  • 2019Non-invasive FTIR study of mortar model samples: comparison among innovative and traditional techniques42 cited
  • 2013Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex40 cited
  • 2018The Bone Black Pigment Identification by Noninvasive, In Situ Infrared Reflection Spectroscopy39 cited