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IDENTIFICATION OF PROTEIN-CONTAINING PAINT MEDIA BY QUANTITATIVE AMINO ACID ANALYSIS
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IDENTIFICATION OF PROTEIN-CONTAINING PAINT MEDIA BY QUANTITATIVE AMINO ACID ANALYSIS (1969)IDENTIFICATION OF PROTEIN-CONTAINING PAIN…MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS (1968)MISE AU POINT DES TECHNIQUES …CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS (1968)CONTRIBUTION À L’ ANALYSE DES…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Gas Chromatographic Exami…Application of Science in Examination of Works of Art (1959)Application of Science in Exa…GC/MS in the Characterisation of Protein Paint Binders (2009)GC/MS in the Characterisation…The contribution of gas chromatography to the resynthesis of the post-Byzantine artist’s technique (2006)The contribution of gas chrom…Identification of proteinaceous adhesives in the wooden backing of Piero della Francescaˈs painting Pala of Saint Bernardino: a gas chromatographic study (2001)Identification of proteinaceo…Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger (1992)Identification of proteinaceo…A Technical Examination of an Ancient Egyptian Painting on Canvas (1981)A Technical Examination of an…AN IMPROVED METHOD FOR THE THIN-LAYER CHROMATOGRAPHY OF MEDIA IN TEMPERA PAINTINGS (1974)AN IMPROVED METHOD FOR THE TH…The Organic Chemistry of Museum Objects (1988)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Conservation of Historic Buildings (2007)Ancient Egyptian Materials and Industries (1948)Lexicographical Studies in Ancient Egyptian Minerals (1961)Technical Studies in the Field of the Fine Arts (1977)Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations (2015)Revealing the binding medium of a Roman Egyptian painted mummy shroud (2017)Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt (2018)Conservation of paintings and the graphic arts (1972)Microanalysis of art objects: Objectives, methods and results (1985)Cross-Sections and Chemical Analysis of Paint Samples (1956)Recent Advances in Conservation (1967)ON THE TECHNOLOGY OF CENTRAL ASIAN WALL PAINTINGS: THE PROBLEM OF BINDING MEDIA (1975)The Development and Initial Application of a Gas Chromatographic Method for the Characterization of Gum Media (1998)Solvent-Extractable Components of Linseed Oil Paint Films (2003)The Artist's Handbook of Materials and Techniques (1940)The Organic Chemistry of Museum Objects (1987)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Egg yolk identification and aging in mixed paint binding media by NMR spectroscopy (2014)Identification of lipidic binding media in plasterwork decorations from the Alhambra using GC–MS and chemometrics: Influence of pigments and aging (2014)Spectroscopic and mass spectrometric approach to define the Cyprus Orthodox icon tradition - The first known occurrence of Indian lac in Greece/Europe (2016)Ageing and Deterioration of Proteinaceous Media (1981)Historische malmaterialien und ihre identifizierung (1988)Characterization of medieval proteinaceous painting media using gas chromatography and gas chromatography ? mass spectrometry (1995)Animal glues in mixtures of natural binding media used in artistic and historic objects: identification by capillary zone electrophoresis (2005)Application of high-performance separation techniques in archaeometry (2008)Il Libro dell'Arte (1934)METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES (1971)CALCIUM CARBONATE WHITES (1974)‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts (2013)Stable lead isotope studies of central taurus ore sources and related artifacts from eastern mediterranean chalcolithic and bronze age sites (1991)Arsenic Bronze: Dirty Copper or Chosen Alloy? A View from the Americas (1996)A global approach to the authentication of ancient bronzes based on the characterization of the alloy–patina–environment system (2006)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Lead soaps in paintings: Friends or foes? (2016)
this work references cited by second hop

References

  • 1959Application of Science in Examination of Works of Art167 cited
  • 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited
  • 1968MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS82 cited
  • 1968CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS41 cited

Cited by

  • 1992Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger30 cited
  • 1981A Technical Examination of an Ancient Egyptian Painting on Canvas27 cited
  • 2006The contribution of gas chromatography to the resynthesis of the post-Byzantine artist’s technique23 cited
  • 1974AN IMPROVED METHOD FOR THE THIN-LAYER CHROMATOGRAPHY OF MEDIA IN TEMPERA PAINTINGS17 cited
  • 2001Identification of proteinaceous adhesives in the wooden backing of Piero della Francescaˈs painting Pala of Saint Bernardino: a gas chromatographic study15 cited
  • 2009GC/MS in the Characterisation of Protein Paint Binders13 cited

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