IDENTIFICATION OF PROTEIN-CONTAINING PAINT MEDIA BY QUANTITATIVE AMINO ACID ANALYSIS

S. Keck · Theodore Peters

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Cultural Heritage Materials Analysis Conservation Techniques and Studies Building materials and conservation

Abstract

In the present study the amino acid analyses of five protein-containing media were first ascertained. Then several specimens, both antique and modern, whose identity was unknown to the analyst, were assayed. The application of quantitative amino acid assay was found to be a useful and accurate means of determining the nature of protein media when sufficient peptide (protein) material was present.

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1959Application of Science in Examination of Works of Art 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films 1968MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITS 1968CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS

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1992Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger 1981A Technical Examination of an Ancient Egyptian Painting on Canvas 2006The contribution of gas chromatography to the resynthesis of the post-Byzantine artist’s technique 1974AN IMPROVED METHOD FOR THE THIN-LAYER CHROMATOGRAPHY OF MEDIA IN TEMPERA PAINTINGS 2001Identification of proteinaceous adhesives in the wooden backing of Piero della Francescaˈs painting Pala of Saint Bernardino: a gas chromatographic study 2009GC/MS in the Characterisation of Protein Paint Binders

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