SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Application of analytical pyrolysis to problems in art and archaeology: A review
0 references·16 citing·48 second hopsampled
Application of analytical pyrolysis to problems in art and archaeology: A review (1989)Application of analytical pyrolysis to pr…Direct Inlet Py-GC-MS analysis of cultural heritage materials (2022)Direct Inlet Py-GC-MS analysi…Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt (2018)Painting the Palace of Apries…Analytical characterization of East Asian handmade papers: A combined approach using Py-GCxGC/MS and multivariate analysis (2017)Analytical characterization o…Py-GCxGC/MS in cultural heritage studies: An illustration through analytical characterization of traditional East Asian handmade papers (2016)Py-GCxGC/MS in cultural herit…Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review (2014)Application of Pyrolysis Gas …Characterisation of archaeological wood: A case study on the deterioration of a coffin (2009)Characterisation of archaeolo…Application of surface‐enhanced Raman spectroscopy (SERS) to the analysis of natural resins in artworks (2008)Application of surface‐enhanc…Study of the microbiodegradation of terpenoid resin-based varnishes from easel painting using pyrolysis–gas chromatography–mass spectrometry and gas chromatography–mass spectrometry (2006)Study of the microbiodegradat…Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Study of the influencing effe…Identification of Indigo Dyes in Painting Layers by Pyrolysis Methylation and Silylation. A Case Study: ?The Dinner of Emmaus? by G. Preti (2005)Identification of Indigo Dyes…Characterisation of Siccative Oils, Resins and Pigments in Art Works by Thermochemolysis Coupled to Thermal Desorption and Pyrolysis GC and GC-MS (2004)Characterisation of Siccative…Old master paintings – A fruitful field of activity for analysts: Targets, methods, outlook (2003)Old master paintings – A frui…Analysis of proteinaceous binders by in-situ pyrolysis and silylation (2003)Analysis of proteinaceous bin…Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects (1995)Pyrolysis gas chromatography-…Characterization of medieval proteinaceous painting media using gas chromatography and gas chromatography ? mass spectrometry (1995)Characterization of medieval …Identification des materiaux synthetiques dans les peintures modernes. II. pigments organiques et matiere picturale (1993)Identification des materiaux …The Organic Chemistry of Museum Objects (1988)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Infrared Spectroscopy in Conservation Science (2000)A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings (2012)Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis (2012)A Photoluminescence Study of the Changes Induced in the Zinc White Pigment by Formation of Zinc Complexes (2017)The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)Analysis of oxidised diterpenoid acids using thermally assisted methylation with TMAH (1997)Application of analytical pyrolysis for the characterisation of old inks (2007)Characterization of the materials used in Chinese ink sticks by pyrolysis-gas chromatography–mass spectrometry (2011)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)Study on the effects of chemical cleaning on pinaceae resin-based varnishes from panel and canvas paintings using pyrolysis-gas chromatography/mass spectrometry (2005)Direct and indirect approaches based on paper analysis by Py-GC/MS for estimating the age of documents (2018)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)A study of amber and copal samples using FT-Raman spectroscopy (2001)Multi-photon excitation fluorescence and third-harmonic generation microscopy measurements combined with confocal Raman microscopy for the analysis of layered samples of varnished oil films (2010)Nanotechnologies and Nanomaterials (2018)Raman microspectroscopy for Cultural Heritage studies (2018)Applied analysis of lacquer films based on pyrolysis-gas chromatography/mass spectrometry (2006)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Analytical characterization of lacquer objects excavated from a Chu tomb in China (2011)Study of historical Chinese lacquer culture and technology – Analysis of Chinese Qin-Han dynasty lacquerware (2016)Use of THM-PY-GC/MS technique to characterize complex, multilayered Chinese lacquer (2019)An easily transferable protocol for in-situ quasi-non-invasive analysis of protein binders in works of art (2020)High-Resolution Solid-State CPMAS NMR Study of Archaeological Woods (2002)Near-infrared spectroscopic observation of the ageing process in archaeological wood using a deuterium exchange method (2005)Archaeological wood characterisation by PY/GC/MS, GC/MS, NMR and GPC techniques (2006)Gas chromatography/mass spectrometry and pyrolysis-gas chromatography/mass spectrometry for the chemical characterisation of modern and archaeological figs (Ficus carica) (2011)Chemical characterisation of the whole plant cell wall of archaeological wood: an integrated approach (2017)Scanning Electron Microscopy Protocol for Studying Anatomy of Highly Degraded Waterlogged Archaeological Wood (2022)Application of Science in Examination of Works of Art (1959)Painting Materials: A Short Encyclopedia (2011)Characterisation and discrimination of various types of lac resin using gas chromatography mass spectrometry techniques with quaternary ammonium reagents (2014)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons (2010)Analytical characterisation of the biodeterioration of diterpenoid labdanic varnishes used in pictorial techniques: Sandarac and Manila copal (2014)Towards a non-invasive quantitative analysis of the organic components in museum objects varnishes by vibrational spectroscopies: Methodological approach (2014)The Organic Chemistry of Museum Objects (1987)Organic Chemistry of Museum Objects (2012)Fiber Atlas: Identification of Papermaking Fibers (2014)FTIR Spectroscopy in Cultural Heritage Studies: Non-destructive Analysis of Chinese Handmade Papers (2019)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media (2009)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Applicability of single-shot and double-shot Py-GC/MS for the detection of components in vinyl acetate-based emulsions used in modern-contemporary art (2022)Identification of organic binding media in ancient architectural decoration by THM–Py–GC/MS (2024)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

No references inside the corpus for this window.

Cited by

  • 2014Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review74 cited
  • 1995Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects46 cited
  • 2006Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media40 cited
  • 2022Direct Inlet Py-GC-MS analysis of cultural heritage materials38 cited
  • 2016Py-GCxGC/MS in cultural heritage studies: An illustration through analytical characterization of traditional East Asian handmade papers38 cited
  • 2006Study of the microbiodegradation of terpenoid resin-based varnishes from easel painting using pyrolysis–gas chromatography–mass spectrometry and gas chromatography–mass spectrometry35 cited
  • 2003Analysis of proteinaceous binders by in-situ pyrolysis and silylation34 cited
  • 2004Characterisation of Siccative Oils, Resins and Pigments in Art Works by Thermochemolysis Coupled to Thermal Desorption and Pyrolysis GC and GC-MS31 cited
  • 2009Characterisation of archaeological wood: A case study on the deterioration of a coffin31 cited
  • 2008Application of surface‐enhanced Raman spectroscopy (SERS) to the analysis of natural resins in artworks28 cited
  • 2017Analytical characterization of East Asian handmade papers: A combined approach using Py-GCxGC/MS and multivariate analysis27 cited
  • 2005Identification of Indigo Dyes in Painting Layers by Pyrolysis Methylation and Silylation. A Case Study: ?The Dinner of Emmaus? by G. Preti

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

26 cited
  • 1995Characterization of medieval proteinaceous painting media using gas chromatography and gas chromatography ? mass spectrometry25 cited
  • 2003Old master paintings – A fruitful field of activity for analysts: Targets, methods, outlook25 cited
  • 2018Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt23 cited
  • 1993Identification des materiaux synthetiques dans les peintures modernes. II. pigments organiques et matiere picturale23 cited