SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Analysis of iron gall inks by PIXE
4 references·11 citing·48 second hop
Analysis of iron gall inks by PIXE (2005)Analysis of iron gall inks by PIXECharacterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Characterization of iron‐gall…Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)Use of microscopic XRF for no…Recent applications to the study of ancient inks with the Florence external-PIXE facility (1996)Recent applications to the st…A Closer Look at Iron Gall Ink Burn (1994)A Closer Look at Iron Gall In…Pigments, dyes and inks: their analysis on manuscripts, scrolls and papyri (2021)Pigments, dyes and inks: thei…Mössbauer study of iron gall inks on historical documents (2021)Mössbauer study of iron gall …Looking for the missing link in the evolution of black inks (2021)Looking for the missing link …Beneficial effect of gelatin on iron gall ink corrosion (2021)Beneficial effect of gelatin …The use of XRF imaging for the chemical discrimination of iron‐gall ink inscriptions: A case study in Stradivari's workshop (2020)The use of XRF imaging for th…Non-destructive study of iron gall inks in manuscripts (2017)Non-destructive study of iron…Iron complexes with gallic acid: a computational study on coordination compounds of interest for the preservation of cultural heritage (2013)Iron complexes with gallic ac…A Review of Instrumental Approaches for Studying Historical Inks (2012)A Review of Instrumental Appr…The surface of cultural heritage artefacts: physicochemical investigations for their knowledge and their conservation (2007)The surface of cultural herit…Interactions in iron gall inks (2007)Interactions in iron gall inksAnalysis of 18th–19th century’s historical samples of Iranian ink and paper belonging to the Qajar dynasty (2007)Analysis of 18th–19th century…Raman analysis of iron gall inks on parchment (2006)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Terahertz spectroscopy for art conservation (2007)Chemometric tool for identification of iron–gall inks by use of visible–near infrared fibre optic reflection spectroscopy (2013)New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques (2016)Iron-galls inks: preparation, structure and characterisation (2022)Compositional Categories of Ancient Glass (1961)Archaeological Chemistry (1996)Non-destructive analysis and testing of museum objects: An overview of 5 years of research (2005)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Analytical chemistry in the field of cultural heritage (2015)X-ray fluorescence spectrometry in art and archaeology (2000)ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)Investigation of oxidation and migration processes of inorganic compounds in ink-corroded manuscripts (2004)A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials (2008)The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts (2008)Luster Pottery from the Thirteenth Century to the Sixteenth Century: A Nanostructured Thin Metallic Film (2001)Non-Destructive Microanalysis of Cultural Heritage Materials (2004)Raman microscopy in archaeological science (2004)Foil and leaf gilding on cultural artifacts: forming and adhesion (2011)Evaluation of the effect of cleaning on the morphological properties of ancient paper surface (2013)Present Status and Perspectives of Graphene and Graphene‐related Materials in Cultural Heritage (2024)Phytate: a Potential Conservation Agent for the Treatment of Ink Corrosion Caused by Irongall Inks (1995)Analysis of Iranian postage stamps belonging to the Qajar dynasty (18th–20th century's) by micro‐PIXE (2009)Characterization of the mural blue paintings in ornamental motif of Ali Qapu palace in Isfahan, Iran, using spectroscopic and microscopic methods (a case study) (2022)Historical iron gall ink containing documents — Properties affecting their condition (2005)Archaeometric investigations on naturally and thermally-aged iron-gall inks using different tannin sources (2013)The influence of pollutants on accelerated ageing of parchment with iron gall inks (2013)Comparison between PIXE and XRF for applications in art and archaeology (1986)Paintings? a challenge for XRF and PIXE analysis (2000)Analyses of Iron Gall and Carbon Inks by Means of X-ray Fluorescence Analysis: A Non-Destructive Approach in the Field of Archaeometry and Conservation Science (2010)On the use of EDXRF and UV–Vis FORS to unveil the production of two illuminated manuscripts from the fifteenth century portuguese royal court (2019)Illuminated manuscript analysis methodology using MA-XRF and NMF: Application on the Liber Feudorum Maior (2021)Linking historical recipes and ageing mechanisms: the issue of 19th century iron gall inks (2024)Iron Gall Inks: On Manufacture, Characterisation, Degradation and Stabilisation (2006)Archaeology, history and science: integrating approaches to ancient materials (2009)Interpol questioned documents review 2019–2022 (2023)Layout of ancient Greek papyri through lead-drawn ruling lines revealed by Macro X-Ray Fluorescence Imaging (2023)Ink classification in historical documents using hyperspectral imaging and machine learning methods (2025)Ancient Egyptian materials and technology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment Compendium: A Dictionary of Historical Pigments (2007)Mortars and plasters—How mortars were made. The literary sources (2021)Production, transport and on-site organisation of Roman mortars and plasters (2021)Wall paintings through the ages: the roman period—Republic and early Empire (2021)Further results from PIXE analysis of inks in Galileo's notes on motion (1996)The beautiful “Trionfo d’Amore” attributed to Botticelli: a chemical characterisation by proton-induced X-ray emission and micro-Raman spectroscopy (2001)Study of Iron Gall Inks, Ingredients and Paper Composition Using Non-Destructive Techniques (2019)
this work references cited by second hop

References

  • 2000Use of microscopic XRF for non-destructive analysis in art and archaeometry255 cited
  • 2004Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry127 cited
  • 1996Recent applications to the study of ancient inks with the Florence external-PIXE facility76 cited
  • 1994A Closer Look at Iron Gall Ink Burn18 cited

Cited by

  • 2007The surface of cultural heritage artefacts: physicochemical investigations for their knowledge and their conservation57 cited
  • 2007Interactions in iron gall inks44 cited
  • 2021Pigments, dyes and inks: their analysis on manuscripts, scrolls and papyri41 cited
  • 2021Looking for the missing link in the evolution of black inks32 cited
  • 2012A Review of Instrumental Approaches for Studying Historical Inks27 cited
  • 2017Non-destructive study of iron gall inks in manuscripts27 cited
  • 2007Analysis of 18th–19th century’s historical samples of Iranian ink and paper belonging to the Qajar dynasty19 cited
  • 2013Iron complexes with gallic acid: a computational study on coordination compounds of interest for the preservation of cultural heritage18 cited
  • 2021Beneficial effect of gelatin on iron gall ink corrosion12 cited
  • 2021Mössbauer study of iron gall inks on historical documents

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

12 cited
  • 2020The use of XRF imaging for the chemical discrimination of iron‐gall ink inscriptions: A case study in Stradivari's workshop10 cited