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The Currency of Collusion: The Circulation and Embrace of the Ethic of Authenticity in Mediated Musical Communities1
15 references·0 citing·33 second hop
The Currency of Collusion: The Circulation and Embrace of the Ethic of Authenticity in Mediated Musical Communities1 (2005)The Currency of Collusion: The Circulatio…Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (2003)Metal, Rock, and Jazz: Percep…Contesting media power: alternative media in a networked world (2003)Contesting media power: alter…WHO NEEDS CULTURAL INTERMEDIARIES? (2002)WHO NEEDS CULTURAL INTERMEDIA…Rock Over the Edge (2002)Rock Over the EdgeD.C. PUNK AND THE PRODUCTION OF AUTHENTICITY (2002)D.C. PUNK AND THE PRODUCTION …Complicity and Collusion in the Mediation of Everyday Life (2002)Complicity and Collusion in t…Alternative Media (2002)Alternative MediaRadical Media: Rebellious Communication and Social Movements (2001)Radical Media: Rebellious Com…Music, Experience, and History (2001)Music, Experience, and HistoryReading rock and roll: authenticity, appropriation, aesthetics (2000)Reading rock and roll: authen…Dancing in Spite of Myself (1997)Dancing in Spite of MyselfBetween Facts and Norms (1996)Between Facts and NormsTrue to the music: Authenticity, articulation and authorship in Sydney hip hop culture (1994)True to the music: Authentici…The Well-Tempered Self (1993)The Well-Tempered SelfDistinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…Hitchhiker's Guide to the Galaxy (1979)Mediating production and consumption: cultural capital and ‘cultural workers’ (2005)The Cultural Economy of Fashion Buying (2006)Consultants, consultancy and consultocracy in education policymaking in England (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)The consequences of modernity (1990)The Human Condition (1998)5. The Practice of Everyday Life (2000)Definitive and Sensitizing Conceptualizations of Mediatization (2013)Media Practices, Mediation Processes, and Mediatization in the Study of Social Movements (2014)Crisis as opportunity, disruption and exposure: Exploring emergent responses to crisis through digital technology (2021)New Media, Counter Publicity and the Public Sphere (2003)Normative theories of the media: journalism in democratic societies (2009)Key Dimensions of Alternative News Media (2019)Varieties of Capitalism (2001)Analysing Discourse: Textual Analysis for Social Research (2003)Discursive Institutionalism: The Explanatory Power of Ideas and Discourse (2008)Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany (2004)The Cambridge Companion to the Singer-Songwriter (2016)Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)Decorative Sociology: Towards a Critique of the Cultural Turn (2000)How to improve scenario analysis as a strategic management tool? (2004)Becoming and Being Hopeful: Towards a Theory of Affect (2006)Weblogs and the Epistemology of the News: Some Trends in Online Journalism (2004)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)Theoretical and philosophical implications of postmodern debates: some challenges to modern marketing (2006)Green governmentality: insights and opportunities in the study of nature's rule (2007)Habitus and the psychosocial: Bourdieu with feelings (2015)Digital Network Repertoires and Organizational Hybridity (2007)The Internet and democratic citizenship: theory, practice and policy (2010)Social media and political communication: a social media analytics framework (2012)
this work references cited by second hop

References

  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1996Between Facts and Norms10,124 cited
  • 2001Radical Media: Rebellious Communication and Social Movements1,184 cited
  • 2002Alternative Media781 cited
  • 2003Contesting media power: alternative media in a networked world594 cited
  • 1993The Well-Tempered Self285 cited
  • 2002Complicity and Collusion in the Mediation of Everyday Life273 cited
  • 2002WHO NEEDS CULTURAL INTERMEDIARIES?256 cited
  • 1997Dancing in Spite of Myself218 cited
  • 2000Reading rock and roll: authenticity, appropriation, aesthetics108 cited
  • 2003Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience59 cited
  • 2002Rock Over the Edge58 cited
  • 1994True to the music: Authenticity, articulation and authorship in Sydney hip hop culture14 cited
  • 2002D.C. PUNK AND THE PRODUCTION OF AUTHENTICITY8 cited
  • 2001Music, Experience, and History3 cited

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