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Authentic Possibilities: Plantation Performance of the 1890s
16 references·1 citing·30 second hop
Authentic Possibilities: Plantation Performance of the 1890s (2004)Authentic Possibilities: Plantation Perfo…Bodies That Matter (2011)Bodies That MatterCultures in Babylon: Black Britain and African America (2001)Cultures in Babylon: Black Br…Authentic blackness: the folk in the new Negro renaissance (2000)Authentic blackness: the folk…Behind the burnt cork mask: early blackface minstrelsy and Antebellum American popular culture (1999)Behind the burnt cork mask: e…4.3 ‘Bodies that Matter’ (1999)4.3 ‘Bodies that Matter’Uplifting the Race: Black Leadership, Politics, and Culture in the Twentieth Century (1997)Uplifting the Race: Black Lea…Feminist Contentions: A Philosophical Exchange (1994)Feminist Contentions: A Philo…Black and White Strangers: Race and American Literary Realism. (1994)Black and White Strangers: Ra…The black Atlantic (1993)The black Atlantic100 Years of the Negro in show business (1984)100 Years of the Negro in sho…Blacking Up: The Minstrel Show in Nineteenth-Century America (1977)Blacking Up: The Minstrel Sho…The Music of Black Americans: A History (1974)The Music of Black Americans:…Three Negro Classics (1970)Three Negro ClassicsJazz Dance: The Story of American Vernacular Dance (1969)Jazz Dance: The Story of Amer…James Weldon Johnson, ed., with musical arrangements by J. Rosamond Johnson and Lawrence Brown, Book of American Negro Spirituals (1926)James Weldon Johnson, ed., wi…The New Negro (1925)The New NegroLessons in Blackbody Minstrelsy: Old Plantation and the Manufacture of Black Authenticity (2013)Lessons in Blackbody Minstrel…Can Anyone Hear Us? (2000)The Purchase of Intimacy (2000)Post‐feminism and popular culture (2004)That Event, This Memory: Notes on the Anthropology of African Diasporas in the New World (1991)Visible Identities: Race, Gender, and the Self (2006)The Relevance of Credibility Excess in a Proportional View of Epistemic Injustice: Differential Epistemic Authority and the Social Imaginary (2010)ETHICS AND POLITICS IN QUALITATIVE RESEARCH (2005)Do you identify as a gamer? Gender, race, sexuality, and gamer identity (2011)Defining, researching and struggling for water justice: some conceptual building blocks for research and action (2014)Interrogating "Whiteness," Complicating "Blackness": Remapping American Culture (1995)The Cambridge History of American Literature (2005)American Literary Realism (2015)Sexing the body: gender politics and the construction of sexuality (2000)Intersectionality as buzzword (2008)Frames of war: when is life grievable? (2010)The Yoruba diaspora in the Atlantic world (2006)Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing (2008)Dance and Sexuality: Many Moves (2010)Black Music as an Art Form (1983)Shaping the Popular Image of Post-Reconstruction American Blacks: The "Coon Song" Phenomenon of the Gilded Age (1988)When Malindy Sings: A Meditation on Black Women’s Vocality (2004)Race, Class and the Dilemmas of Upward Mobility for African Americans (2003)American Foundations: Roles and Contributions (2010)Authoritarianism in Black and White: Testing the Cross-Racial Validity of the Child Rearing Scale (2014)EVALUATING ‘DIASPORA’: BEYOND ETHNICITY? (1998)Performance Studies: Interventions and Radical Research (2002)Where do I belong? (2002)Pulp Fictions of Indigenism. (2003)RACIALIZATION, GENDER, AND THE NEGOTIATION OF POWER IN STOCKHOLM’S AFRICAN DANCE COURSES (2006)Bending the Bars of Empire from Every Ghetto for Survival: The Black Panther Party's Radical Antihunger Politics of Social Reproduction and Scale (2009)
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References

  • 2011Bodies That Matter10,356 cited
  • 19994.3 ‘Bodies that Matter’2,036 cited
  • 1994Feminist Contentions: A Philosophical Exchange1,296 cited
  • 1993The black Atlantic550 cited
  • 1997Uplifting the Race: Black Leadership, Politics, and Culture in the Twentieth Century422 cited
  • 1925The New Negro330 cited
  • 2001Cultures in Babylon: Black Britain and African America313 cited
  • 1994Black and White Strangers: Race and American Literary Realism.231 cited
  • 1974The Music of Black Americans: A History207 cited
  • 1969Jazz Dance: The Story of American Vernacular Dance205 cited
  • 1977Blacking Up: The Minstrel Show in Nineteenth-Century America192 cited
  • 1999Behind the burnt cork mask: early blackface minstrelsy and Antebellum American popular culture149 cited
  • 2000Authentic blackness: the folk in the new Negro renaissance129 cited
  • 1970Three Negro Classics78 cited
  • 1984100 Years of the Negro in show business50 cited
  • 1926James Weldon Johnson, ed., with musical arrangements by J. Rosamond Johnson and Lawrence Brown, Book of American Negro Spirituals

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39 cited

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  • 2013Lessons in Blackbody Minstrelsy: Old Plantation and the Manufacture of Black Authenticity7 cited