Behind the burnt cork mask: early blackface minstrelsy and Antebellum American popular culture

Unknown author

149 citations0/0 files storedChoice Reviews Online

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Theater, Performance, and Music History Musicology and Musical Analysis Arts and Performance Studies

Abstract

Promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 149 citations exist upstream.

Cited by

2011Performing blackness, forming whiteness: Linguistic minstrelsy in Hollywood film1 2014Romantic Reformers and the Antislavery Struggle in the Civil War Era 2003Black Faces, White Voices: The Politics of Dubbing in Carmen Jones 2013A “Brutology” of Bozal: Tracing a Discourse Genealogy from Nineteenth-Century Blackface Theater to Twenty-First-Century Spirit Possession in Cuba 2007Opera and the Mainstreaming of Blackface Minstrelsy 2021Middle-Class African American English 2004"Messin' with the Furniture Man": Early Country Music, Regional Culture, and the Search for an Anthological Modernism 2017Phrenology and the Science of Race in Antebellum America

Imported from OpenAlex (CC0) — nothing here is generated.